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AS YOU HEAR (Weston/Yeoh/Wang)
4 Seasonings

jazz/yass/impro
Fundacja Słuchaj!, 2019

Czas trwania: 72:58

Średnia ocena klientów: -    oceń

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CD : 39,90 zł
W magazynie: BRAK
Szac. dostępność:
tydzień ?
Nr kat.: FSR07|2019
EAN: 5905279364455
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 As You Hear (Veryan Weston/Pei Ann Yeoh/Beibei Wang - Masala 26:28
2 As You Hear (Veryan Weston/Pei Ann Yeoh/Beibei Wang) - Galangal 14:40
3 Berbere 25:04
4 Five Spice 06:43


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http://sluchaj.bandcamp.com/album/four-seasonings

Pei Ann Yeoh - violin
Veryan Weston - piano
Beibei Wang – drums and percussion

All music improvised by Veryan Weston, Pei Ann Yeoh, Bei Bei Wang
Recorded by Alex Bonney, 16 of August 2018 at Vortex Jazz Club, London
Mixed and mastered by Alex Bonney, 19 of February 2019-02-22
Liner note by Oliver Weindling
Graphic Design: Małgorzata Lipińska
Executive producer: Maciej Karłowski

The best live improvisation requires a consummate range of skills and personalities, all of which hold true from this gig by the trio of Veryan Weston, Pei Ann Yeoh and Beibei Wang. As well as a good dose of chutzpah and bravery, they possess a great breadth of skill and understanding of music of all genres and eras, from nearly anywhere in this world, in addition to an empathy and awareness of each other to create music ‘on the fly’. There was also the confidence to believe that the result of their gig at the Vortex was worth recording and releasing.
The co-operation and trust of the musicians for each other is evident from the first note. There are no periods where the musicians seem to be holding out for new inspirations. And, while it was great to experience the first time live, the purity of the recording repays repeated listenings, as nuances are clarified. They react to each other fast that makes the whole evening flow.
So at some stages it may be just a brief percussion figure, at others just a lyrical snatch on the piano or violin that leads to a new stage in the evening. Listen out even for a small snippet of ‘Happy Birthday’, to celebrate the birthday of Beibei’s father that night.
This album is helped by two further features. A sympathetic ambiance created by the audience at the Vortex that night, and a great recording by Alex Bonney, perhaps helped by the fact that he himself is an excellent musician with a strong understanding of the instruments involved and of the style of music being performed. Many of the best new recordings made at the Vortex or by the musicians from this scene seem to have the hand of Bonney!
We have two different generations of musician involved here. The ‘father figure’ is Veryan Weston, who has been a stalwart energising presence on the London scene for many years, playing with relative youngsters Beibei and Pei Ann. It is through the existence of musicians l
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