http://karlrecords.bandcamp.com/album/g-a-m-s

all music played, produced and mixed by G.A.M.S.
G.A.M.S. are Andi Stecher (drums / percussion) & Guido Möbius (feedbacks)
cover artwork by Bruno Ferro Xavier da Silva
layout & design by kaidoh
drums recorded by Dirk Dresselhaus at ZONE, Berlin
mastered & cut by Rashad Becker at D&M, Berlin

The first album of the new duo G.A.M.S. (ANDI STECHER / drums and GUIDO MÖBIUS / feedback) with special appearances by MICK HARRIS (EX NAPALM DEATH, PAINKILLER, SCORN a.o.) and YUKO MATSUYAMA (HULA HUT & THE SEVEN SEAS).

Feedback leads a life of it’s own. It is an uncontrollable sonic accident, usually ear-numbingly loud but sometimes also delicately ethereal. The essence of feedback is being released from bonds, its path is always one of intensification and escape. Its a physical phenomenon and hard to predict.
The duo G.A.M.S. makes music on the edge of losing control. A restless drummer works his way through waves of feedback, which span the full spectrum of frequencies from pumping bass to the highest tones. With the pulse of the feedback ANDI STECHER's drumming, at times feverish and driven, then distanced and abstract, creates polyrhythmic structures. What comes into being is a maelstrom of sound and rhythm - music beyond every style, the power of which lies in its rawness.
STECHER and MÖBIUS switch the roles of desired and undesired sound and thereby create pieces like archaic sculptures. Their music is raw and powerful, but can also be soft and etheric. Sometimes it feels like a delicate organic painting. But here's one thing that G.A.M.S. music certainly isn't - predictable. The duo uses freely improvised spaces and reacts to unplanned sonic events. And despite all it's seeming randomness, G.A.M.S. still manage to compose clearly structured pieces and to reconstruct these in their live program.
Through a cut-up technique patterns of feedback sound fragments are juxtaposed and interlocked in varied combinations. These hypnotic loops move between rhythm and melodies, a web that is carried along by a driving drum set, accents of sub-bass and layers of feedback drones.
The playful drum style of ANDI STECHER is far from conventional rock drumming. Instead he experiments with various materials - for instance by pre.......
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