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FM Einheit
Andreas Ammer
Hammerschlag

elektronika/ industrial
Cold Spring, 2020

Czas trwania: 55:09

Średnia ocena klientów: -    oceń

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CD : 64,90 zł
W magazynie: BRAK
Szac. dostępność:
do miesiąca ?
Nr kat.: CSR 281CD
EAN: 0641871745531
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Amoeba 7:08
2 Order 01 3:00
3 Order 02 4:09
4 Order 03 3:40
5 Order 04 3:39
6 CIT 4:04
7 Order 05 5:08
8 Order 06 4:19
9 Noise Orgy 4:38
10 Order 07 4:47
11 Order 08 2:51
12 Order 09-10 4:07
13 Epilogue 3:40


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https://youtu.be/SOLvb-49xG8
https://youtu.be/DDQ4BB_pfTQ

Nowa płyta byłego FM Einheita, muzyka Einstürzende Neubauten i Andreasa Ammera.

"Hammerschlag" - created by FM Einheit (member of Einstürzende Neubauten early 1980's to mid-1990's), with Andreas Ammer - features many percussive industrial elements and 'machine music' (chains, scraping, coiled springs, objects), noise, experimental electronics and provocative musical compositions familiar to the ears of Neubauten fans. An oratorio with prelude and two noise interludes, based on Russian futurist Aleksej Kapitonovič Gastev, the "bard of the machine age".

FM Einheit (Mufti) is an industrial and electronic musician and actor, primarily known for his percussion work with Einstürzende Neubauten. He has also collaborated with musicians such as: Diamanda Galás, Eraldo Bernocchi, Mona Mur, KMFDM, Goethes Erben and many more. He was also involved in the projects Stein and Gry. Andreas Ammer has been creating works with FM Einheit since the early 1990's.

"Just a moment longer, and through the confused chaos of these days, the legendary realisation of the future roar of events is triumphant" (A.K. Gastev, "A Bundle of Orders").

"Hammerschlag was premiered in 2019 at the Diaghilev Festival in Perm as a live concert with Teodor Currentzis , the chief conductor of the SWR Symphony Orchestra, as Aleksej Kapitonovič Gastev. The concert served as the basis for a German-Russian radio play version.

In his last lyrical work "A Bundle of Orders", published in 1921, Russian futurist Aleksej Kapitonovič Gastev wanted nothing more than to finally destroy literature. In a historical document there is a description of a concert based on the text: "The choir master stood on a balustrade, who conducted the sound with the help of a complicated signaling device. After this noise overture had raged for long enough time to completely numb the auditorium the real passion game began".

Aleksej Kapitonovič Gastev (
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