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Dmitry Evgrafov
Surrender

poważna
Fat Cat, 2020

Średnia ocena klientów: -    oceń

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winyl : 89,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: LP13-41
EAN: 600116134110
format : 12"LP
liczba nośników : 1


nr tytuł play mp3
1 Splinter
2 Sparkle
3 Whirl
4 Context
5 Anthropocene
6 Stymie
7 Humble In Heart
8 A Rural Song
9 N.510
10 Endless
11 Serene Air
12 Far And Close


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https://youtu.be/Dy8PqEI7810

Dmitry Evgrafov returns with his fourth career album and third for FatCat’s 130701 imprint (Max Richter, Johann Johannsson, Dustin O’Halloran and Hauschka). His most accomplished work to date, ‘Surrender’ is a broad and dramatic record that expands the Moscow-based artist’s palette and reaches beyond the usual post-classical range. Revealing an ambitious scope across the twelve-track span, it is bold in conception and beautifully recorded. With Dmitry playing piano, marimba, xylophone, glockenspiel, bass guitar and synths and including sessions with an eight-piece string orchestra, a drummer and contributions from several instrumentalist peers, 'Surrender’ was mixed and mastered by Martyn Heyne at Lichte Studio in Berlin.

A self-taught multi-instrumentalist, Dmitry released his debut album, ‘Pereehali’ (2013), at nineteen. Shortly after, he performed onstage for the first time, when pulled out of the crowd to collaborate with Nils Frahm; and signed to 130701 in 2015, releasing the albums 'Collage' (2015) and 'Comprehension of Light' (2017), plus the EPs 'The Quiet Observation' (2016) and 'Return’ (2018). With a degree in sound design, Dmitry has composed for numerous films, videos, commercials and audiovisual installations. He is co-founder and composer/head of sound design at Endel, a mobile app company making personalised ambient soundscapes that generate responsive music in real time, which last year signed a 20 album deal with Warner Music, widely reported as “the first algorithm to sign a deal with a major”. Now 27, and with four albums to his name, Dmitry has also logged 100 million streams of his music to date. Whilst the beautifully close-mic'd piano parts of his music sit well in that playlist world alongside contemporaries such as Frahm, Arnalds or Goldmund, it is far from the full picture.

‘Surrender’ encompasses a continually changing musical and e
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