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Sam Prekop
Comma

elektronika
Thrill Jockey, 2020

Średnia ocena klientów: -    oceń

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CD : 49,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: THRILL524CD
EAN: 790377052428
format : CD
liczba nośników : 1
Opakowanie : digipack
winyl : 89,90 zł
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Nr kat.: THRILL524LP
EAN: 790377052411
format : 12"LP
liczba nośników : 1
opakowanie : singlefold
 


nr tytuł play mp3
1 Park Line 05:11
2 Summer Places 03:43
3 Comma 02:39
4 September Remember 05:09
5 The New Last 04:05
6 Approaching 05:57
7 Circle Line 03:20
8 Never Met 04:45
9 Wax Wing 04:39
10 Above Our Heads 02:25


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https://youtu.be/wVoN8EC1VS0
https://youtu.be/NzABaPhkdxo
https://youtu.be/f4IWZQx-tAY



Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse.

Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures.

Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” a
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