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Mark Nauseef
All In All In All

jazz/yass/impro/ postrock
Relative Pitch Records, 2018

Średnia ocena klientów: -    oceń

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CD : 68,90 zł
dostępność:
ok. miesiąca
Nr kat.: RPR1065
EAN: 5902249000795
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 3:47 3:47
2 1:51 1:51
3 3:29 3:30
4 2:39 2:34
5 5:31 5:32
6 3:11 3:12
7 1:18 1:18
8 13:50 13:51
9 2:47 2:47
10 8:00 8:01
11 2:17 2:17


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muzycy:
Arthur Jarvinen-glockenspiel, chromatic harmonica, analogue electronics
Sylvie Courvoisier-piano, prepared piano
Tony Oxley-percussion
Pat Thomas-cassette player, electronics, electric keyboard
Miroslav Tadic-guitars
Walter Quintus-real time processing, conducting
Bill Laswell-bass, field recordings, electronics
Mark Nauseef-percussion, electronics

Editor's info:
Influenced by rock, jazz, Javanese and Balinese gamelan, NY drummer Mark Nauseef's career has embraced an inclusive blending of styles, heard in this fantastic new album embracing compositional and ea styles, recorded with previous collaborators including Tony Oxley, Bill Laswell, Walter Quintus, along with Sylvie Courvoisier, Pat Thomas, Miroslav Tadic, & Arthur Jarvinen.

freejazzblog.org * * * *:
All in All in All, on Relative Pitch is a rich and somewhat beguiling recording by the expansively thinking percussionist Mark Nauseef. The album, recorded in 2001 in Cologne, Germany, is a tremendous soundscape that focuses on the micro: dings of the glockenspiel, muted thud of prepared piano, hiss of electronics, and scrapes of percussion, played in service to the macro musical arch.

The cast is an eye-catcher: Sylvie Courvoisier on piano, prepared piano, Tony Oxley providing percussion, Bill Laswell on bass, field recordings, electronics, Miroslav Tadic on guitars, Pat Thomas on cassette player, electronics, electric keyboard, Arthur Jarvinen on glockenspiel, chromatic harmonica, analogue electronics, Walter Quintus with real time processing and conducting, and finally Mark Nauseef on percussion and electronics. With such a range of musicians, you may be tempted to think that it could be a cacophonous outing, or at least a very busy one, but its quite the opposite. In fact, the album reveals itself slowly as a rolling soundscape with elusive glimpses of the mountains on the horizon.

The album begins with a low rumble of piano, percussion, glockenspiel. The slight menace created by the sustained piano and deliberate ringing sets a mood. The dark theme is soon obliterated by a mix of percussion and electronics. An unheard pulse keeps the track together as slightly menacing sounds appear from the quiet, while the glockenspiel plays an important role in providing speckles of hope. The tracks, only ti
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