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RODRIGO AMADO
Chris Corsano
No Place to Fall

jazz/yass/impro
Astral Spirits, 2019

Średnia ocena klientów: -    oceń

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CD : 68,90 zł
dostępność:
ok. miesiąca
Nr kat.: AS103
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Announcement
2 Don't Take It Too Bad
3 No Place To Fall
4 Into The Valley
5 We'll Be Here In The Morning


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https://soundcloud.com/cafeoto/as103-rodrigo-amado-chris-corsano-no-place-to-fall

muzycy:
Rodrigo Amado: Tenor Saxophone
Chris Corsano - Drums

Editor's info:
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

freejazzblog.org * * * *:
Readers of this blog need no introduction to the work of Portuguese sax player Rodrigo Amado and Chris Corsano. Their collaboration in a quartet with sax and pocket trumpet player Joe McPhee and double bass player Kent Kessler won 5 stars reviews on the blog (This Is Our Language, Not Two, 2012, and A History of Nothing, Trost, 2018). No Place to Fall is a studio recording of Amado - focusing on tenor sax - and Corsano from July 2014 at Manouche Studios, Lisbon. It is a released as limited edition of 175 red shelled cassettes and 500 discs plus download option.

The title of this album captures faithfully the urgent and restless atmosphere of this meeting. Amado and Corsano soar instantly into dense, turbulent stratosphere like there is no tomorrow. Both play with boundless energy, relying on their deep understanding of the art of the moment and super-fast instincts. They fill the room with their busy, muscular and conversational interplay, rarely settling on a fixed pulse or a theme, always pushing forward and sounding as a much bigger unit already on the opening piece “Announcement”.

Amado and Corsano begin the following “Don’t Take It Too Bad” with a leisured mode and some fractured, bluesy undercurrents, but soon surf again on another powerful wave. Amado's delivery here is full of charisma, alternating freely between a singing tone and investigating complex rhythmic patterns. He begins the title track with a series of Ayler-ian calls, cries squeaks but soon Corsano rolls in and c
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