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Philipp Schiepek & Walter Lang
Cathedral

jazz/yass/impro
Act, 2021

Średnia ocena klientów: -    oceń

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CD : 66,90 zł
W magazynie: BRAK
Szac. dostępność:
2 tygodnie ?
Nr kat.: ACT96322
EAN: 614427963222
format : CD
liczba nośników : 1


nr tytuł play mp3
1 Sumniran ( Walter Lang) 07:20
2 Cathedral ( Walter Lang) 06:18
3 Estrela Cadente ( Walter Lang) 06:11
4 Kamo ( Walter Lang) 04:20
5 Pilgrimage ( Philipp Schiepek) 05:13
6 Meditation in Ten ( Walter Lang) 06:32
7 Gliding over Meadows ( Walter Lang) 06:11
8 Prelude To the World Is Upside Down ( Philipp Schiepek) 01:50
9 The World Is Upside Down ( Walter Lang) 03:52
10 Light at the End of the Tunnel ( Walter Lang) 05:06
11 The Encourager ( Walter Lang) 05:49


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https://youtu.be/QXx4p1NHXIo

Philipp Schiepek Nylon String Guitar
Walter Lang Grand Piano



“An insightful and versatile guitarist.” (All About Jazz). “He has found a sound that is his own - and it is always imbued with both beauty and excitement” (Süddeutsche Zeitung). The responses to Munich-based guitarist Philipp Schiepek’s 2019 debut album marked him out as a musician of real sensitivity and one to watch. Schiepek, now aged 26 – who first played piano and accordion before taking up the guitar at the age of twelve – definitely has that most important asset of a musician: his own individual style. During his time as a student of both classical and jazz guitar at the conservatoires in Würzburg and Munich, bookers in Southern Germany already had this accomplished, versatile, technically flawless guitarist firmly on their radar. From 2016-2018, he played in the BundesJazzorchester (BuJazzO). He has also appeared as concerto soloist with a classical orchestra, and in various bands in the Munich region, for example with Mulo Francel, and alongside players with an international profile such as Richie Beirach and Klaus Doldinger. He won several prizes, including the 2020 BMW Welt Young Artist Jazz Award, and he has also steered his first major project as leader, “Golem Dance”, involving no less a figure than stellar New York saxophonist Seamus Blake, to a highly successful conclusion.

An important feature behind the rapid rise in Schiepek’s profile in Germany is that he is just as interested in classical music as he is in jazz. Schiepek sees the fact that he can oscillate between the two worlds as positive, enriching and complementary. And the miracle is how he manages to remain true to both: the classical acoustic guitar and the electric jazz guitar are essentially two very different instruments, whether seen from the perspective of playing techniques or timing or how musical interaction happens. Schiepek’s exceptional craft and his unique approach can now be enjo
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