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Windisch Trio
Pros and Cons - JazzThing Next Generation Vol. 89

jazz/yass/impro
Double Moon, 2021

Średnia ocena klientów: -    oceń

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CD : 61,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: DMCHR71389
EAN: 0608917138924
format : CD
liczba nośników : 1


nr tytuł play mp3
1 End of May 06:19
2 Oknagut 05:54
3 Interlude I 04:43
4 Pros and Cons 06:40
5 Going for It 05:34
6 De Rona 06:14
7 Interlude II 04:58
8 Berger 08:49
9 Nie Aufhören 04:11


  powiadom mnie kiedy pojawią się sample
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https://youtu.be/Ogw7lULrI2w

muzycy:
Julius Windisch - Piano
Fermín Merlo - Drums
Igor Spallati - Bass

Editor's info:
Julius Windisch, a Berliner by choice, certainly does not lack good reviews in the press. For example, London Jazz News wrote about his quartet's
debut album: “The music is original, intricate and engrossing”, and Jazzcournal.co.uk seconded: “unpredictable and unobtrusive, the Windisch Quartet
exhibits wildness and coolness in equal measures.” The magazine Concerto praised: “The pianist and composer steers his fellow musicians through
jagged tunes with a broken-beat feeling […], but also shows his fragile side in the form of beautiful, melodic ballads, which are expanded by small
sound gimmicks […].”

Julius Windisch's trio with Igor Spallati and Fermín Merlo, founded at the beginning of 2020, goes in a conceptually different direction, which his
fantastic/solemn (how brash would we like it to be?) debut album Pros & Cons now presents. The impetus was given by a number of pieces that
Windisch had already composed in 2019. “Their aesthetics were inspired by more traditional forms, composed harmonies, longer phrases, but also
more room for improvisation. All this did not quite fit to the existing quartet and demanded a new line-up.” Windisch already had potential partners in
mind. “I had already known Igor Spallati for a long time through his work in different bands. I was always impressed by how well he could fit into
various contexts.” In contrast to the much-sought-after bassist, drummer Fermín Merlo was still regarded as a sort of insider tip in Berlin at the time. It
was not until the end of 2018 that he moved from Buenos Aires to the German capital, with a recognizable approach to playing of his own. “Igor and
Fermín are both strong personalities,” Windisch said, “rooted in jazz history on the one hand, but also extremely open to contemporary music and
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