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Sinne Eeg
Thomas Fonnesbek
Staying In Touch

jazz/yass/impro
Stunt, 2021

Czas trwania: 49:42

Średnia ocena klientów: -    oceń

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winyl : 121,90 zł
W magazynie: BRAK
Szac. dostępność:
do miesiąca ?
Nr kat.: STULP21071
EAN: 0663993210711
format : 12"LP
liczba nośników : 1
opakowanie : singlefold
CD : 69,90 zł
W magazynie: BRAK
Szac. dostępność:
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Nr kat.: STUCD21072
EAN: 0663993210728
format : CD
liczba nośników : 1
Opakowanie : digipack
 


nr tytuł play mp3
1 Spring Waltz 3:27
2 Too Close For Comfort 4:14
3 Orphans [Feat. LiveStrings] 5:55
4 Take Five 3:47
5 The Streets Of Berlin [Feat. LiveStrings] 4:50
6 The Long And Winding Road 4:14
7 How Deep Is The Ocean? 4:54
8 Just One Of Those Things 1:39
9 Round Midnight 7:45
10 Those Who Were [Feat. LiveStrings] 6:15
11 The Dry Cleaner From Des Moines 2:43


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https://youtube.com/playlist?list=OLAK5uy_lyzP9xJjFuspeGxiOc250Q7IjZhD2OhJ4

Sinne Eeg - vocals
Thomas Fonnesbak - bass
Karsten Bagge - drums

Plus strings:
Andra Gyarfas Brahe, Karen Johanne Pedersen - violin
Deanna- viola
Live Johansson - cello

Editor's info:
Ms. Eeg is the kind of vocalist who makes every note to die for. However, she seems never to work too hard, or so much as strain to get the sound of the note to ring in her voice. She has perfect pitch, sings with effortless grace, a four-dimensional perspective – the fourth being the quintessence. So beautiful and ghostly are her vocalastics that she seems to raise them from the ether. She favours more luxuriant textures, which result in a top-heavy balance that acts as a counterpoint for her bass-playing partner here. Her lucidity and maturity makes her more immediately approachable and memorable and speaking of memories, Sinne Eeg recalls all that was classy and unforgettable of Betty Carter.

Ms. Eeg is the kind of vocalist who makes every note to die for. However, she seems never to work too hard, or so much as strain to get the sound of the note to ring in her voice. She has perfect pitch, sings with effortless grace, a four-dimensional perspective – the fourth being the quintessence. So beautiful and ghostly are her vocalastics that she seems to raise them from the ether. She favours more luxuriant textures, which result in a top-heavy balance that acts as a counterpoint for her bass-playing partner here. Her lucidity and maturity makes her more immediately approachable and memorable and speaking of memories, Sinne Eeg recalls all that was classy and unforgettable of Betty Carter.

With the bass adding to the vibrant background, Sinne Eeg makes the songs flow naturally with their fluid rhythms and their instinctive, indeed inspired contours that follow and enhance the sentiments of the verse. Ms. Eeg’s luscious, flexible voice with its range of registers is exploited to fruitful effect and seems to be an ideal vehicle for this repertoire. Her clear enunciation and relishing of the sounds of the words match her lyricism and her agility in the tricky rhythmic deceits.

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