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David S. Ware
Theatre Garonne, 2008 [New Quartet]

jazz/yass/impro
AUM Fidelity, 2019

Czas trwania: 73:27

Średnia ocena klientów: -    oceń

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CD : 72,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: AUM113
EAN: 0642623311325
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Crossing Samsara Part 1 15:09
2 Crossing Samsara Part 2 11:18
3 Durga 17:41
4 Reflection 11:40
5 Namah 12:34
6 Samsara (Reprise) 5:06


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muzycy:
David S. Ware: tenor saxophone, compositions
Joe Morris: guitar
William Parker: bass
Warren Smith: drums

Editor's info:
The David S. Ware Archive Series was launched in November 2015, and AUM Fidelity has marked the anniversary of his birth – November 7, 1949 – with a vital new edition therein every year since.
David S. Ware was a master saxophonist of the highest order, and an unparalleled sonic alchemist of the modern jazz era. As his distinctly potent sound & vision was an integral inspiration toward the creation/devotion of AUM Fidelity, that mission continues strong with the DSW-ARC series.

Théâtre Garonne, 2008 presents a luminous concert from a transitional period in David S. Ware’s ever-creative life. His 17-year-longstanding Quartet with Matthew Shipp & William Parker, which had achieved a naturally ascendant worldwide acclaim, performed their final concerts on a triumphal European tour in March 2007. Knowing that this end was coming, David had already begun writing new compositions and conceptualizing what would become his :new: quartet. The first iteration of this group – foundationally with guitarist Joe Morris – debuted at New York’s Iridium jazz club in mid-July. The group was made whole with Ware’s stalwart musical companion William Parker back on bass and fellow master musician Warren Smith on drums.

As had been Ware’s method with his Quartet, the group worked the new material live on stage together toward a studio recording thereof. That session took place in May 2008, and the album Shakti – davidsware.bandcamp.com/album/shakti – was the gorgeous result. The change from Shipp’s 88 keys to Morris’ cleanly articulated lines on 6 strings played a substantial role in the resulting sound. The density of much of Ware’s classic Quartet work gave way for a more ready hearing to the nuance & focus on melody which is intrinsic to all his work.

Riding a musical high, the DSW New Quartet flew to France later that same month for a
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