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David S. Ware
The Balance

jazz/yass/impro
AUM Fidelity, 2018

Czas trwania: 72:13

Średnia ocena klientów: -    oceń

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CD : 72,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: AUM107
EAN: 0642623310724
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Vision Suite 2010 - part 1 15:28
2 Vision Suite 2010 - part 2 14:16
3 Vision Suite 2010 - part 3 12:17
4 Kama 8:50
5 Virtue 6:49
6 Bodhisattva 5:26
7 Gnavah 9:08


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muzycy:
David S. Ware: tenor saxophone, saxello (on 5, 6)
William Parker: bass
Warren Smith: drums, tympanis/percussion (on 5, 6, 7)

Editor's info:
The Balance ( ... ) is the fourth edition in the DSW-ARC Series, it presents an outstanding and incendiary David S. Ware concert in trio with William Parker and Warren Smith. A tenor sax / bass / drums excursion displaying full vitality from the first note, this suite of spontaneous form was created at NYC’s Vision Festival in 2010. Ware had been a perennial at this vital annual gathering since its beginning, this performance was his first time back since his revered Quartet played their final U.S. concert there in 2006 [ released as Renunciation : davidsware.bandcamp.com/album/renunciation ].
This concert was his exultantly welcome and truly exhilarating return!

This DSW Trio convened only three times over their 10 month existence: the Dec. 2009 studio session for Onecept.
Also included here are four out-takes from the Onecept session – all of which had been completed & considered for inclusion at that time. The three releases together present the =total work= which this group created.

Each of their three communions has its own flavor: Onecept deals exquisitely with s p a c e and features David on three different horns (tenor, stritch, saxello), with Warren Smith on tympanis/percussion in addition to drum set. The night at the Blue Note features the most extensive documentation of Ware on alto sax in existence (a straight version, the stritch), with the Mid & Far-Eastern tones he brought forth on the instrument blossoming beautifully over the course of two sets in an intimate setting. This festival stage concert is premier 21st Century free jazz rendered with the virtuosity and lucidity that only Ware (with his esteemed peers) could provide.
An utterly complete treat.

"Kamasi Washington was hardly the first saxophonist to revive the so-called spiritual-jazz aesthetic of John Coltrane and his key successors like Pharoah Sanders. As early as the late Seventies, the lat
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