https://youtu.be/sgGkQJL-YGo

It is astonishing which references all come to mind when you listen to the debut album of Oliver Earnest for the first time. Omaha is still quite vivid, and above all, Bright Eyes or Cursive. You think of the Mountain Goats, and while you’re at it, of John Darnielle, and with him, one of the best songwriters of all time. You tip your hat to Isaac Brock from Modest Mouse in your mind’s eye. And when it gets quieter, more ethereal, you’re not all too far from the ballads of the Fleet Foxes or even from sitting down at a candlelit table with Iron & Wine. When Oliver does let the pathos of his voice sound, one is quickly at The Divine Comedy, and when you immerse yourself in the lyrics, several wonderful scenes from everyday life emerge, which could just as well be straight out of a Jim Jarmusch film. Well, this is where it’s suddenly obvious: There are no German bands or artists at all on this list? And, they’re all big names? So you ask yourself: How is this even possible? For a young guy from Stuttgart who was known by insiders previously perhaps at some time as a member of the post punk band Kaufmann Frust?

With the references mentioned above you’re not entirely wrong after all – particularly with Bright Eyes: “As a matter of fact, his album I’m Wide Awake, It’s Morning is at the very beginning of my path of wanting to become a songwriter,” Oliver admits. “There was especially this one verse from ‘Road To Joy’ that I listened to over and over where Conner sings: ‘Well I could have been a famous singer / If I had someone else’s voice / But failure’s always sounded better / Let’s fuck it up boys, make some noise!’” This mix of defiance and understatement apparently led him to make music himself and start singing, “even though my voice was hardly worth mentioning back then.” It is meanwhile definitely well worth mentioning &.......
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