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Otomo Yoshihide's New Jazz Orchestra
Out To Lunch

jazz/yass/impro
Aguirre Records, 2022

Średnia ocena klientów: -    oceń

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winyl : 192,90 zł
na stanie
Nr kat.: ZORN65
format : 2x12"LP
liczba nośników : 2
opakowanie : gatefold
Waga: 0.7 kg


nr tytuł play mp3
  Side A
1 Hat And Beard 6:08
2 Something Sweet, Something Tender 9:20
Side B
1 Gazzelloni :17
2 Out To Lunch 9:38
Side C
1 Straight Up And Down - Will Be Back Part I 16:00
Side D
1 Straight Up And Down - Will Be Back Part II 11:27


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https://youtu.be/ATQ4qouk6ig

First-time vinyl release. Old-style gatefold LP with liner notes by Kahimi Karie, Otomo Yoshihide & Tonoyama Taiji.

Eric Dolphy's final studio album is hailed as one of the finest examples of mid-'60s post bop. Its reputation is purely one of backwards significance. Dolphy, having recorded the album in February 1964, was in Europe less than six weeks later and his all-too-brief life ended less than two months after that. Though likely he never held a copy in his hands or heard any critical opinion of it, it marked his last flurry of original compositions and is considered his apex. It is fascinating to consider whether he would had moved past or away from the album in 1965, had he lived.

Though Dolphy should not be considered an avant-garde musician by the term's most common definitions, most interpretations of Out To Lunch have been done by players working squarely in that area. So it is with this album, the most ambitious in its recreation of the five-tune disc (with one original added to the final "Straight Up and Down, extending the piece to almost thirty minutes). All five compositions from the original quintet LP are revisited in the same order, the record sleeve even duplicates the old album jacket, down to the typeface and black-and-blue color scheme, although a photo taken by Daidō Moriyama inside Tokyo's massive (and massively busy) Shinjuku railway station replaces the Dolphy's album's enigmatic "Will Be Back" sign, whose clock hands indicated no conventional time of expected return.

Otomo Yoshihide first came to international prominence in the 1990s as the leader of the experimental rock group Ground Zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical. The always surprising and sometimes confounding turntablist, sound artist, onkyo improviser and now avant jazzer heading up a 15-piece aggregation of Japanese and Europ
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