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Andrew Hill
Divine Revelation

jazz/yass/impro
Steeplechase, 1994

Średnia ocena klientów: -    oceń

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CD : 78,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: SCCD31044
EAN: 0716043104420
format : CD
liczba nośników : 1
Opakowanie : plastik
winyl : 146,90 zł
2023
W magazynie: na stanie
Nr kat.: GF1044
EAN: 716043104413
format : 12"LP
kolor : czarny
liczba nośników : 1
opakowanie : singlefold
 


nr tytuł play mp3
1 Snake Hip Waltz (Andrew Hill) 4:57
2 Here's That Rainy Day (Van Heusen) 3:39
3 East 9th Street (Andrew Hill) 6:25
4 July 10th (Andrew Hill) 7:52
5 Divine Revelation (Andrew Hill) 24:57
bonus (CD only):
6 July 10th (Andrew Hill) 6:51


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https://youtube.com/playlist?list=OLAK5uy_kuGsYonz0mNuUvpO-BBFcfVHyuTZ62fGM

Andrew Hill: Piano
Jimmy Vass: Alto Saxophone, Flute
Chris White: Bass
Leroy Williams: Drums

Editor's Info:
Divine Revelation is an album by American jazz pianist Andrew Hill recorded in 1975 and released on the Danish SteepleChase label. The album features four of Hill's original compositions performed by a quartet and one jazz standard performed solo. The CD added one alternate take as a bonus track.


jazzmusicarchives.com
I’m not sure what happened to AH during the early 70’s, as there is almost five years between recording, with the Blue Note period ending in 70 and his return for the label Steeplechase Records in 75 , of which I believe this is his second album upon his return. In the light of his new wave of albums’ titles, his retreat might have been of a spiritual nature, but I wouldn’t bet on it. If Invitation was recorded as a trio (as would Nefertiti a while later), DR is recorded as a quartet that includes Vass on sax and flute. And indeed, this writer prefers the quartet format as it allows for some variety, although I’d say that AH is in a fine form, playing up a storm on tracks like East 9th Street.
While most of the tracks on the opening side may appear rather standard 60’s stuff (or at least not in the avant-garde peak), both the highlights of July 10th and East 9th Street show that Andrew’s inspiration is certainly intact, even if not extremely sharp. Obviously it is the 25-mins title track that is the album’s foundation stone, an overlong solo piano intro that doesn’t see Vass’ sax & flute intervention until the 11th minute, White’s bass until the 13th, and Williams’ drums until the 15th for an unwelcome solo, the group finally playing together from the 17th minute onwards. Once the group is indeed together, the track does reach some interesting moments (around the 21st minute), but it sounds more improvised than written.
BTW, the Cd reissue holds an alternate take of July 10th as a bonus track. Well if AH’s retu
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