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Michael Marcus
The Magic Door

jazz/yass/impro
Not Two, 2007

Czas trwania: 55:47

Średnia ocena klientów: -    oceń

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Not Two


CD : 29,90 zł
na stanie
Nr kat.: MW 777-2
EAN: 5907589871777
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
plik mp3 : 19,90 zł
format : mp3
jakość : 320 kb/s
 


nr tytuł play mp3
1 The Magic Door 5:54
2 Hey Pee Wee (for Pee Wee Russell) 4:22
3 Blue Reality 4:38
4 Sonic Corridors 6:02
5 Abstractions in Lime Caverns 8:41
6 One More Minute 6:17
7 Morning Daffodil 8:18
8 Circular Worlds, Sitting Lights 4:32
9 Sunset Falling in the Mirrors 7:01


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Michael Marcus - Bb clarinet
Daniel Levin - cello (#1,4,9)
Rashaan Carter - bass (#2)
Francois Grillot - bass (#1,3,4,5,6,8,9)
Eric Rrevis - bass (#7)
Jay Rosen - drums (#1,2,3,4,5,6,8,9)
Newman Taylor Baker - drums (#7)

The sessions on The Magic Door took place in New York City, with Michael Marcus playing B-flat clarinet exclusively and leading a core trio completed by fellow Cosmosamatic Jay Rosen on drums and bassist Francois Grillot. Cellist Daniel Levin sits in on three cuts, including the title track, and his bow provides strained harmonies for the leader’s sweetly rounded tone. It’s also a pleasure to hear bassist Eric Revis (in tandem with drummer Newman Taylor Baker) outside of the Branford Marsalis Quartet on “Morning Daffodil”, dragging the tune just a little more than Grillot might. By handling composition, arrangement and production duties, as well as concentrating on only one horn in his repertoire, on the The Magic Door Marcus ensures that the artist alone has decided what you hear. (Jeff Stockton, AllAboutJazz)

Michael Marcus comes from the Rahsaan Roland Kirk school of multi-instrumentalism and whether on his own (Speaking Out, Drimala) or with his best-known partner (Sonny Simmons in the Cosmosamatics), variety of tonal color and timbre is the main advantage he holds over less interesting peers. On Duology, Marcus limits himself to clarinet, leaving the variety to trumpeter Ted Daniel (Dewey Redman, Archie Shepp, Billy Bang) who explores the subtleties of his flugelhorn, bugle and cornet. The conversations are relatively short and run the gamut from bluesy swing to abstract sound explorations. With half the selections composed by Marcus and Daniel and free improvisations accounting for the other half, the pair show that even when flirting with the avant garde they’re lyricists at heart and melody carries the day on this fresh collaboration.


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