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Luis Lopes
Echoisms [ABYSS MIRRORS]

jazz/yass/impro
Clean Feed, 2023

Średnia ocena klientów: -    oceń

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CD : 73,90 zł
W magazynie: na stanie
Nr kat.: CF628CD
EAN: 5609063006285
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 echoism I 04:49
2 echoism II 05:49
3 echoism III 09:45
4 echoism IV 04:19
5 echoism V 03:02
6 echoism VI 04:35
7 echoism VII 16:43


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https://youtu.be/ARRAcKKypQo
https://youtu.be/6BoPNIW70Qg

muzycy:
Luis Lopes: electric guitar
Flak: electric guitar
Jari Marjamaki: electronics
Travassos: electronics
Felipe Zenícola: electric bass
Yedo Gibson: tenor , alto, soprano sax
Bruno Parrinha: alto, soprano sax
Helena Espvall: cello
Maria da Rocha: violin
Ernesto Rodrigues: viola

Editor's Info:
From the music recorded in two days at Namouche Studios Lisbon, and reaching the public through this cd, comes a constantly changing sound and atmospheric passages, managed with the tense restraint of someone who listens and understands their place within a great formation and moments of collective ecstasy with no final destination.
Movements of elusive harmony that revolve around themselves in line with the haunting lyrics of 'He Loved Him Madly' by Miles, along with a whirlwind of strings that brings that liberation of Alan Silva's ensembles, electronic phrases as meta-rhythmic as landscapes and more detours and certain continuities, in an abysmal game of mirrors. The name is well placed!

The troop, the Abyss Mirrors, invoked by guitar player Luís Lopes, as described in his own words draws from inspirational foundations and a search for continuity to music that is born from the ensembles of Sun Ra and advances through the electric periods of Miles Davis and Ornette Coleman, to continue with Wadada Leo Smith, and pinching from electroacoustic giants like Stockhausen or Gabriel Prokofiev.

A Herculean task but full of intention, built by an ensemble made up of a dozen figures, 4 nationalities: Portuguese, Swedish, Finnish, and Brazilian, all currently based in Lisbon, coming from areas as disparate as intersectional: obviously from jazz but also free improvisation and experimental styles, from electronic to underground techno, contemporary or rock, with a good balance between electric and acoustic. All people recognized and recognizable in a collusion of more or less usual cronies from Lopes various wanderings.

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