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LEE KONITZ
Frank Wunsch
An Evening With Lee Konitz and Frank Wunsch

jazz/yass/impro
Jazzwerkstatt, 2023

Średnia ocena klientów: -    oceń

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CD : 75,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: JW213
EAN: 4250317420626
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 Alone Together 05:28
2 Lydian Adventure 07:21
3 Out Of The Deep 07:24
4 Body And Soul 06:58
5 You're a Weaver of Dreams 04:01
6 Subconscious-Lee 06:39
7 Starlight Variation 07:57
8 I'll Remember April 06:23
9 Thingin' 07:21
10 It's You 05:47


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https://youtube.com/playlist?list=OLAK5uy_kr9-iGMh2Dt4JWNYo69kJMuGXg_K23A30&si=Vg6MCOzEEglZ7dCj

muzycy:
Lee Konitz - Alto Saxophone
Frank Wunsch - Piano

Editor's info:
I was already familiar with Lee Konitz when I was 17. I knew him from Birth of The Cool and the early recordings with Lennie Tristano. His fresh, original lines excited me. But many years would pass before he caught my attention again. It must have been the mid-eighties when I was in a jazz bar in Dortmund, the 'Jatz', and heard his duo record with Michel Petrucciani. It went through me like a lightning bolt. I especially liked the piece I Hear A Rhapsody. What a sound and such carefully constructed lines! He was one of my heroes after that and I bought every one of his records that I could get. I met him personally for the first time in 1985 in Essen. I was playing the first part of a double concert with the Remy-Filipovitch-Quartet and Lee was playing the second half with his quartet. We had an interesting conversation then. When we played together for the first time in Dortmund in 1986, it was a dream come true. I accompanied him with Gunnar Plümer (bass) and Christoph Haberer (drums). We played tours and concerts in this line-up for a few years in Germany and Switzerland.We also played at the festival in Madrid in 1988 and recorded a CD - S'Nice. Eventually Lee and I began playing more as a duo. Our first duo concert in Göttingen was not entirely successful. I made the mistake that many musicians make when playing duo with Lee for the first time: I played too much. He told me, ''You don't have to give me the beat, I've got it in me.'' We talked a lot about music in general and improvisation in particular and discovered that we shared the same playing ideal: that the music should always sound like we just invented it and that a piece should sound different at every performance.

A definite highlight of our duo collaboration was our performance at the 1995 Frankfurt Jazz Festival – CD, The Frankfurt Concert. Lee knew all the standards, but in his last 25 years he always played the same ones, drawing from a repertoire of ab
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