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Mary Lou Williams Trio
Free Spirits

jazz/yass/impro
Steeplechase, 2008

Średnia ocena klientów: -    oceń

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CD : 78,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: SCCD31043
EAN: 0716043104321
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 Dat Dere (Bobby Timmons) 4:48
2 Baby Man, #2 (John Stubblefield) 7:56
3 Baby Man (Stubblefield) 8:31
4 All Blues (Miles Davis) 6:59
5 Temptation (Nacio Herb Brown, Arthur Freed) 5:08
6 Pale Blue (Buster Williams) 4:27
7 Free Spirits #2 (Stubblefield) 5:04
8 Free Spirits (Stubblefield) 5:25
9 Blues for Timme (Mary Lou Williams) 5:37
10 Ode to Saint Cecile (Mary Lou Williams) 5:55
11 Surrey with the Fringe on Top (Richard Rodgers, Oscar Hammerstein II) 2:58
12 Gloria (Mary Lou Williams) 5:31


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https://youtube.com/playlist?list=PL5dCJhRXn3pYGtfUoiormq5ZjEFjuowkF&si=Gd_Fo95JygKVmUjx

muzycy:
Mary Lou Williams – piano
Buster Williams – bass
Mickey Roker – drums

jazzdaily.blog
Introduction:
In the vibrant landscape of jazz history, certain albums resonate as masterpieces, encapsulating the brilliance of their creators and the spirit of their era. Mary Lou Williams’ “Free Spirits” stands as a luminous gem within this pantheon. Released in 1976, this album is a testament to Williams’ boundless talent as a pianist and composer. Recorded with the exceptional ensemble of Buster Williams on bass and Mickey Roker on drums, “Free Spirits” is a journey through the realms of musicality, weaving together iconic jazz standards and Williams’ own evocative compositions.

A Musical Odyssey:
“Free Spirits” embarks on an enchanting journey, taking the listener through a tapestry of emotions, rhythms, and melodies. The trio, comprising Williams on piano, Buster Williams on bass, and Mickey Roker on drums, demonstrates an uncanny synergy that breathes life into each note. The result is an album that transcends time, resonating with both seasoned jazz enthusiasts and those new to the genre.

“Dat Dere” (Bobby Timmons) – 4:48
Williams’ rendition of Bobby Timmons’ classic is a spirited opening, infusing the piece with her signature style, marked by intricate phrasings and a playful rhythmic approach. The interplay between Williams’ piano and Buster Williams’ bass creates a lively dialogue, evoking a sense of joy and spontaneity.

“Baby Man, #2” (John Stubblefield) – 7:56
John Stubblefield’s composition takes on a new life in the hands of the trio. Williams’ piano work is a revelation, dancing around the melody with graceful precision.

“Baby Man” (John Stubblefield) – 8:31
The contemplative atmosphere of this piece allows each musician to explore the nuances of their instruments, resulting in a soul-stirring
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