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J MASCIS
What Do We Do Now

rock
Sub Pop, 2024

Średnia ocena klientów: -    oceń

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CD : 53,90 zł
dostępność:
Tydzień
Nr kat.: SPCD1605
EAN: 98787160529
format : CD
liczba nośników : 1
Opakowanie : digipack
winyl : 97,90 zł
dostępność:
Tydzień
Nr kat.: SP1605
EAN: 98787160512
format : 12"LP
liczba nośników : 1
 


nr tytuł play mp3
1 Can't Believe We're Here
2 What Do We Do Now
3 Right Behind You
4 You Don't Understand Me
5 I Can't Find You
6 Old Friends
7 It's True
8 Set Me Down
9 Hangin Out
10 End Is Gettin Shaky


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https://youtube.com/playlist?list=OLAK5uy_nqZMvMH0dzaXd1WH8jVxGAz9GaaMNomqU&si=vFDMxl4qE1uwL0hA

What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, “J's week beats your year.”

What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. “When I'm writing for the band,” he says, “I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened.”

Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, “Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones.”

Mauri has no such qua
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