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Philipp Gerschlauer
Gebhard Ullmann
Twelve + 1 Murals

jazz/yass/impro
Between The Lines, 2024

Średnia ocena klientów: -    oceń

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CD : 65,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: BTLCHR71252
EAN: 0608917125221
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 Mural 1 03:51
2 Mural 2 02:08
3 Mural 3 03:41
4 Mural 4 06:51
5 Mural 5 03:43
6 Mural 6 01:28
7 Mural 7 01:46
8 Mural 8 02:24
9 Mural 9 03:56
10 Mural 10 03:31
11 Mural 11 03:04
12 Mural 12 04:40
13 1 02:23


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muzycy:
Philipp Gerschlauer - Alto Saxophone
Gebhard Ullmann - Tenor Saxophone

Editor's info
"Intermediate tones are only cramps in class struggle," the folksinger/songwriter with left-wing politics Franz-Josef Degenhardt once criticized.
The two saxophonists Philipp Gerschlauer and Gebhard Ullmann see this very differently. They even deal in detail with the realm of microtones on "Twelve + 1 Murals". Gerschlauer entered the cosmos of microtones in 2017 on the album "Mikrojazz" with David Fiuczynski, Jack DeJohnette, Giorgi Mikadze and Matt Garrison, and Gebhard Ullmann plays in the band Mikropuls with Hans Lüdemann, Oliver Potratz and Eric Schaefer; the album under the same name was released in 2019. The common musical interests of Gerschlauer and Ullmann led to a collaboration that began a few years ago, however was slightly slowed down by Corona. "For me, Philipp is one of the best alto saxophonists in Berlin," Ullmann states enthusiastically about his co-musician. "During the first Covid year we tried out microphones and positions to achieve an optimal recording result for a saxophone duo." Thus an album was produced, and when mastering the sound engineer said: ‘This is one of the best recordings I ever heard’.
We can now listen to it in the 13 pieces of "Twelve + 1 Murals", which obviously have something to do with murals. "This is an association aid," says Ullmann, "not only for us, but also for the audience. Because at our concerts, we don't just talk about music, but also about philosophy, history and art."
Many people do not know that there are other tones between the tones of the scale we know (in other music cultures this is of course different – a wide field). The duo focuses on this among other things.
Although it is easy to understand that there is still space between the frets on the finger-board of a string instrument, it is more difficult for saxophonists. "You actually choose an instrument by feeling because you love the sound," Ullmann explains. "Then you get taught which
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