Dziesięć utworów na "Constellation" jest zanurzonych w folku, jazzie i wszystkich klasycznych melodiach XX wieku, a jednak wydają się tworzyć magiczną, nieziemską przestrzeń jej własnej wyobraźni, łącząc fortepian Caoilfhionn z syntezatorami, żywą sekcję rytmiczną i saksofonowe ornamenty z ambientowymi samplami i nowoczesnymi technikami produkcji.
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With her third Gondwana album, ‘Constellation’, Caoilfhionn Rose has come of age as an artist, digging deep to find experimental new ways of expressing her wonder at nature’s beauty, her love of music in all its diversity, and her belief in the restorative powers that both afford in the troubled post-COVID world.
The ten tracks on ‘Constellation’ feel rooted in a knowledge of folk, jazz and all the twentieth century’s classic tunesmiths, and yet they seem to create a magical, otherworldly space of her own imagining, blending Caoilfhionn’s core piano with synths, and pitting a live rhythm section and saxophone embellishments against ambient samples and future-facing production techniques.
‘Constellation’ features contributions from Halsall’s rhythm section, drummer Alan Taylor and bassist Gavin Barras, as well as Jordan Smart from Mammal Hands, whose supple sax exquisitely colours the fringes of most of its songs. Also guesting: John Ellis, former member of The Cinematic Orchestra, beatifically tinkling the ivories at the end of ‘Fall Into Place’, and producer Aaron Wood via a raft of ambient samples adding textured loveliness throughout ‘Rainfall’.
“I love being open to collaboration,” Rose enthuses, “and the record’s a collage, knitting together all these influences, sounds and players, and just really going for it with the experimentation in the production
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