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Ensemble Castor
Schenck: Suonate per violino e violone o cimbalo Op. 7 - Vol

poważna
Challenge Classics, 2025

Średnia ocena klientów: -    oceń

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CD : 65,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: CC72999
EAN: 0608917299922
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 Sonatina II - Adagio – Allegro – Adagio 02:21
2 Sonatina II - Adagio 00:49
3 Sonatina II - Gigue. Allegro 01:51
4 Sonatina II - Allemande 02:11
5 Sonatina II - Courante 01:40
6 Sonatina II - Sarabande. Adagio 01:48
7 Sonatina II - Gigue 01:26
8 Prelude in stile francese IX - Vivace 01:42
9 Prelude in stile francese IX - Allemande 02:12
10 Prelude in stile francese IX - Courante. Vivace 01:29
11 Prelude in stile francese IX - Sarabande 01:55
12 Prelude in stile francese IX - Gigue 01:31
13 Prelude in stile francese IX - Rondeau 00:52
14 Capriccio XVII - Vivace – Adagio – Allegro 02:08
15 Sinfonia III - Adagio 01:37
16 Sinfonia III - Allemande. Largo 02:35
17 Sinfonia III - Courante 01:37
18 Sinfonia III - Sarabande. Adagio 02:47
19 Sinfonia III - Gigue. Vivace 01:34
20 Capriccio XIV - Aria. Allegro – Adagio – Allegro – Adagio 02:29
21 Capriccio XIV - Allemande 01:57
22 Capriccio XIV - Courante 01:54
23 Capriccio XIV - Sarabande 02:52
24 Capriccio XIV - Gigue 01:13
25 Capriccio XIV - Gigue 01:42
26 Sonatina IV - Allegro – Adagio 00:49
27 Sonatina IV - Allegro 00:57
28 Sonatina IV - Aria. Adagio 01:31
29 Sonatina IV - Gigue. Allegro 01:17
30 Fantasia XIII - Adagio – Allegro – Adagio 03:09
31 Capriccio VI - 02:05
32 Sonatina XV - Adagio 01:31
33 Sonatina XV - Allemande 03:07
34 Sonatina XV - Courante 02:03
35 Sonatina XV - Sarabande. Adagio 02:51
36 Sonatina XV - Gigue 01:48


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https://youtube.com/playlist?list=OLAK5uy_n7sfa7K9HpK93HVB75CID1yyIwizmwuOA

muzycy:
Ensemble Castor:
Erich Traxler - Harpsichord
Petra Samhaber-Eckhardt - Violin
Philipp Comploi - Violoncello

Editor's Info
The renowned Austrian Ensemble Castor presents the first part of the world premiere recording of Johannes Schenck’s complete Op.7
This is the only work written by Schenck for violin and basso continuo.
Schenck’s exciting music is a subtle combination of suites, sonatas, and pieces in the so-called “Stylus phantasicus”.
The result is an exquisite blend of elements of the French, Italian, and Dutch style.
The pieces show an impressive variety of forms and demand of violin technique and offer a wide range of moods from vivid dances to expressive slow movements.
Castor Ensemble is a reknown ensemble that in the past recorded for Deutsche Harmonia Mundi and Pan Classics

For some time now, Johannes Schenck has enjoyed a return to popularity as a composer of ingenious and technically demanding music for viola da gamba, but his compositional output in other fields has largely been forgotten. His instrumental music, is nowadays generally recognised, was composed in the tradition of the composer-virtuoso, almost exclusively for the viola da gamba.
The only exception is the undated Opus 7, from the publishing house of Estienne Roger, entitled Suonate a Violino e Violone o Cimbalo, which first appeared in 1699. The two individual part-books of the publication, one for the solo violin, the other for the bass accompaniment, contain a total of 18 numbered pieces. The use of French titles for the dance forms and the title “Prelude in stile
francese” seem at first to point to a strong French influence on Schenck’s Op. 7, as does the fact that the dance movements are consistently in the ordering Allemande, Courante, Sarabande, Gigue, as was normal practice for a suite in France at the time.
But in fact Schenck cleverly mixes suite and sonata forms with formally free, almost improvisatory movements or entire
pieces in the so-called Stylus phantas
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