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Shiran & Bakal
Electro Baghdad

elektronika/ folk/etno
Batov, 2025

Średnia ocena klientów: -    oceń

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winyl : 108,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: BTR122LP
format : 12"LP
liczba nośników : 1


nr tytuł play mp3
1 Sghayiroun 03:22
2 Alahudlak Yaba 04:22
3 Ah Ya Layla Yumma 04:01
4 Ami Ya Bayaa Elward 03:09
5 Eshrab Kasak Wethanna 03:26
6 Alamtni Shlon Ahibak 05:19
7 Ya Hnayna Ya Yumma 05:43
8 Ayaratni Bi-Shaib (Baba Musa) 05:09


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https://youtu.be/N44AEdUK-Z4
https://youtu.be/Dq1LXJ3-RGY

SHIRAN and Bakal fuse traditional Iraqi songs and instrumentation with modern electronic music on deeply personal collaborative album, ‘Electro Baghdad’, for Batov Records



‘Electro Baghdad’ expands on the ideas explored on the duo’s self-released 2023 debut EP ‘Electro Hafla, and builds upon SHIRAN’s solo work, which earned her a Songlines “Top of the World” award and widespread praise for her expressive voice and dynamic reinterpretation of traditional Yemeni music - an influence drawn from her maternal heritage.

Both born to half-Yemeni, half-Iraqi parents in Israel, SHIRAN and Bakal’s music reflect their diverse heritage. Singing previously in Yemenite Arabic, she bridged generations by blending traditional melodies with contemporary sounds. Now with 'Electro Baghdad', SHIRAN and Bakal pay tribute to their Iraqi roots, recontextualising traditional songs passed down through generations, using analog synths, heavy basslines, and pulsing electronic grooves.

One standout track is their transformation of the traditional Iraqi song “Ah Ya Layla Yumma”, turning it into a rousing “Electro Hafla” (Arabic party) anthem. The title, meaning “Oh my night, mother”, is a common phrase in Iraqi songs, often expressing deep emotional pain and a longing for comfort - an intensity mirrored in the large family gatherings where these songs are traditionally performed. SHIRAN leads a chorus of female voices, weaving through the highs and lows of love, heartbreak, and healing, only to repeat the cycle again. Traditional Middle Eastern instrumentation, such as the stringed qanun, ney flute, and handclapped Dabke-like percussion, intertwines with driving electronic basslines, bridging past and present.

Album opener “Sghayiroun” (Little One) is a tender and poetic reflection on love, separation, and longin
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