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Anushka Chkheidze
ROBERT LIPPOK
Uncontrollable Thoughts

elektronika
Morr Music, 2025

Czas trwania: 41:54

Średnia ocena klientów: -    oceń

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CD : 76,90 zł
W magazynie: BRAK
Szac. dostępność:
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Nr kat.: MM205
EAN: 880918820521
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 146,90 zł
W magazynie: na stanie
Nr kat.: MM205
EAN: 880918820514
format : 12"LP
kolor : żółty
liczba nośników : 1
opakowanie : singlefold
 


nr tytuł play mp3
1 Bird Song
2 Rainbow Road
3 Contact Zone
4 Field
5 Uncontrollable Thoughts
6 Opening


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https://youtube.com/playlist?list=OLAK5uy_neNElI5JYLt28oLDDKvrqSXJZLw0jpieY

Anushka Chkheidze + Robert Lippok’s »Uncontrollable Thoughts« on Morr Music is the duo’s debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop programme that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive »Glacier Music II« music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time composition that corresponds with their respective environments. They draw on traditions such as minimal music or late 1990s and early 2000s electronica to integrate subtle beats with elegiac organ drones, playful melodies with lush textures. The first document of an ever-shifting intergenerational dialogue, »Uncontrollable Thoughts« is a product of mutual listening outside time.

Though Chkheidze and Lippok had access to professional studios, they chose to rent a simple rehearsal space, equipped with only the bare essentials—bass and guitar amps as well as a small PA—to maintain immediacy in their working process. The music they made together corresponded to and drew on the respective possibilities and shortcomings of this studio, much like their collaboration in general is characterised by the care with which they approach each other's talents and ideas. While both had loosely defined roles—Chkheidze was responsible for the free-flowing beat programming and the evocative distortion came courtesy of Lippok, for example—they individually contributed in different ways to their joint process, which is as free of hierarchies as it is limitless. Hence, the duo’s focus on spontaneity and out-of-the-moment emergence makes them organically move beyond tried and tested conventions, resulting in music that seems to suspend time altogether.

When the first chimes on »Bird Song«
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