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Kasparek v rohliku
Bejbypank

avant-pop
Indies, 2007

Średnia ocena klientów: -    oceń

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CD : 57,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: MAM422-2
format : CD
liczba nośników : 1


nr tytuł play mp3
1 Dvě malý víly 02:36
2 Za komínama 00:33
3 O-bla-ky o-bla-ka 03:16
4 Popelář 00:13
5 Strejda Jára 03:00
6 Anděl s nudlí 02:28
7 Chudák Ken 05:10
8 Barbína 03:29
9 Pomeranč 01:56
10 O škoda přeškoda 01:53
11 Kraví stádo 03:19
12 Špim, špim 01:37
13 Mimino 01:45
14 Strach 00:44
15 Na kraji lesa 02:14
16 O duchovi Smrdílovi 01:26
17 U obra v břiše 00:32
18 Kdo to neviděl 03:03
19 Želvy 03:07
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Editor's info:

The new album “Bejbypank” (Baby Punk) is meant for children from 0 to 80 years of age and joins quality music, excellent texts and accordingly « hide
great performers. Music supervision was carried out by Ondřej Pečenka of Folk3Mail Project and interpreters include personalities like Blanka Šrůmová (ex Tichá dohoda), Márdi (Vypsaná fiXa), Jarda Svoboda (Traband) or David Koller.

The project originated as a response to the lack of quality and original songs for children. Following an offer by the Puppet Scene of South Bohemian Theater in České Budějovice, director David Dvořák wrote and staged the vaudeville show “Kašpárek v rohlíku”. Most of the songs in the album were used in this performance. “Kašpárek v rohlíku is a typical example of the Anglo-Saxon theatrical style called Fast Food Theater (FFT). This is a fast-refreshing form of theatre production,” explains the author of the show, David Dvořák. “Fast and easily digestible performance for unambitious consumers. Particularly children like this kind of show, as their parents often disapprove of it. These are so-called “etudes”, when individual parts of the performance are created as independent micro-sketches, ideally ended with a punchline. Any idea is pampered and given more importance than meaning, mission, educational element and the whole dramaturgy. These are terms not suitable for FFT, these rather belong to National Theater Restaurants, where you use cutlery and eat properly.”

The success of the show logically resulted in its materialization on a CD. It was recorded in Ondřej Ježek’s Jámor Studio in the fall 2007. Music was created by Ondřej Pečenka, already mentioned, and Jiří Müller and Jiří Šponar of the Puppet Scene of South Bohemian Theater in České Budějovice and by a mysterious ensemble UBO. The lyrics were written by the trio Pečenka – Müller – Dvoř
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