muzycy:
Anthony Braxton - leader, woodwinds
Brandon Evans - woodwinds
James Fei - woodwinds
Jackson Moore - woodwinds
Andre Vida - woodwinds
J.D. Parran - woodwinds
Kevin O'Neil - guitar
Joe Fonda - bass
Kevin Norton - percussion

Editor's info:
The fourth double CD documenting the legendary five-day residence of Anthony Braxton's ninetet at Yoshi's in 1997. These performances at Yoshi's happened to be a milestone for Anthony Braxton in developing his concept of GTM (Ghost Trance Music). The line-up of musicians is the same as on previous volumes, the liner notes provided, as before, by Steve Day in the form of a listening diary.


All About Jazz:
Recorded over five days in August 1997 at Yoshi's in Oakland, California this recording is from the early phase of reed player/composer Anthony Braxton's Ghost Trance Music (GTM) period. Originally planned to be released as a 12-CD box set on Braxton's own (now dormant) Braxton House label, these ninetet recordings have instead slowly emerged, two discs at a time, on Leo.
Given that the climax of the GTM period, the 2006 Iridium club 12+1tet recordings, came out all at once as a nine-CD box set in 2007, it seems a little odd only now to be reviewing this music�as though discussing an early part of a story of which the end is known. GTM went through several distinct phases, culminating in the so-called Accelerated GTM of the Iridium set; the Yoshi's recordings exemplify its first "species."

As this release is the fourth volume of the Yoshi's recordings, it seems unlikely to attract listeners who have not already heard the previous volumes. The scored music is entirely consistent with those preceding releases; highly structured and rhythmically tight, it gets into a groove and then stays there for a long time. There are solos on top of the repeated patterns that define each composition, but that is where they are�on top.

With soloists of the quality of reed players J. D. Perran, Brandon Evans, James Fei (all Braxton regulars) plus the professor himself, there is an ever changing kaleidoscope here to savour. However, solos are ultimately largely irrelevant to the forw.......
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