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RATS LIVE ON NO EVIL STAR (Jestram & Donald)
Rats Live On No Evil Star
CD: 19,90 zł

VLADIMIRSKA
Paper Birds
winyl: 39,90 zł
CD: 19,90 zł

VLADIMIRSKA
Paper Birds
winyl: 39,90 zł
CD: 19,90 zł

Kuba Nycz + Ratio
Ratio
CD: 10,90 zł

JOHN PORTER
Złota Kolekcja - Electric Years
CD: 19,90 zł

FLEETWOOD MAC
TUSK (VINYL ALBUM)
winyl: 182,90 zł

THE BEACH BOYS
THE BEACH BOYS TODAY/SUMMER DAYS (LIMITE
CD: 28,90 zł

HEAVEN 17
THE LUXURY GAP/PENTHOUSE AND PAVEMENT (L
CD: 28,90 zł

MADREDEUS
MOVIMENTO
CD: 45,90 zł

MALCOLM MCLAREN
ROUND THE OUTSIDE
CD: 34,90 zł
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Don Caballero
Singles Breaking Up (Vol 1)

avant-pop/ rock
Touch & Go, 1999

Średnia ocena klientów: -    oceń

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CD : 62,90 zł
W magazynie: BRAK
Szac. dostępność:
do miesiąca ?
Nr kat.: TG184
format : CD
liczba nośników : 1


nr tytuł play mp3
1 Lucky Father Brown
2 Belted Sweater
3 Shoe Shine
4 Unresolved Kharma
5 Puddin' in My Eye
6 My Ten Year Old Lady is Giving it Away
7 Our Caballero
8 ANDANDANDANDANDANDANDANDANDAND
9 First Hits
10 No More Peace and Quiet for the Warlike
11 If You've Read Dr. Adder Then You Know What I Want
12 Trey Dog's Acid
13 Room Temperature Lounge


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Damon Che - Drums
Ian Williams - Guitars
Mike Bandfield - Guitar
Patrick Morris - Bass

Don Caballero hail from a hell of a place to father a child; Pittsburgh, Pennsylvania. Affectionately known as "the Don", Don Caballero make their musical bid without the din of vocals. The Don spawned in the summer of 1991 as drummer Damon, bassist Patrick, and guitarist Mike met and got the petri dish experiment started.

The first record For Respect, was all dense and menacing bricks of sound that built sever structures as cheerful as the Berlin Wall. That gave way to a second record, that was just as solid, yet show it girder melodies skyscraperly, de-emphasizing denseness in exchange for taking up a large area. As "math rock", a definition for which there is no agreement, became an easily recognizable concept and word, the band sought to avoid those markers and released it's third record What Burns Never Returns, where time signatures were harder and harder to follow and form was more confusing. After redefining it's sound in these more protean terms, a hard rock thread still remained that bound all of the band's efforts up to that point. American Don marred it's relationship to "heavy" as much as What Burns troubled the band's relationship to "math rock".

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Paper Birds
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