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ALBAN BERG QUARTETT
ENCORE-STRING QUARTETS
CD: 24,90 zł

Johann Sebastian Bach
Soli Deo Gloria
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AARON COPLAND
The Royal Philharmonic Collection
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Mikis Theodorakis
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Leopold Stokowski
Leopold Stokowski
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Der Ring Des Nibelungen
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Pentral
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The Essential Glenn Gould
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Greatest Hits
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Sergiej Prokofiew
The Royal Philharmonic Orchestra
CD: 28,90 zł
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Mikhail Baryshnikov
Baryshnikov Dances Sinatra & more

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Kultur, 1984

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DVD : 122,90 zł
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A Dance Creation by Twyla Tharp (1976), with American Ballet Theater

The three ballets on this remarkable DVD tell no stories, but they are full of human drama. In one sense, they all tell the same story--of the vitality, daring, intelligence, and emotional depth that a great dancer possesses.They are also about a brilliant choreographer’s vision of that dancer and of dance itself. As Mikhail Baryshnikov says in the breezy commentary that links the ballets, Twyla Tharp is "classical but in a new way." She has the classical artist’s regard for form and technique and a musicality that some compare to that of George Balanchine, but her approach is always personal, radical and contemporary ."THE LITTLE BALLET" Music: Alexander Glazounov. Cast: Mikhail Baryshnikov, Deidre Carberry, Elaine Kudo, Amanda McKerrow, Nancy Raffa The Little Ballet, to music by Alexander Glazounov, offers Baryshnikov, Deidre Carberry, and three other American Ballet Theatre dancers in a sweet-tempered, fluid work that makes subtle allusions to the dreamer-hero-elusive-heroine ballets of the 19th century. "SINATRA SUITE" Performed to the music of Frank Sinatra. Cast: Mikhail Baryshnikov, Elaine Kudo In Sinatra Suite, Baryshnikov and Elain Kudo express the less innocent world of Sinatra’s moody, bittersweet voice –from the tender "Strangers In The Night" to the tough and contentious "That’s Life. ""PUSH COMES TO SHOVE" Music: Joseph Lamb, Franz Joseph Haydn. Cast:Mikhail Baryshnikov, Elaine Kudo, Susan Jaffe, Robert LaFosse, Cheryl Yeager and Members of American Ballet Theatre. Choreography: Twyla Tharp. Push Comes To Shove, created by Tharp in 1976 for American Ballet Theatre, can be seen as a witty and affectionate tribute to a major ballet company – its casual rehearsal behavior and backstage commotion, as well as its traditional grandeur and polished performing. – Deborah Dewitt, Village Voice

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