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Matana Roberts
Live in London

jazz/yass/impro
Central Control International,

Średnia ocena klientów: -    oceń

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CD : 79,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
format : CD
liczba nośników : 1


nr tytuł play mp3
1 My Sister
2 Pieces of We
3 Glass
4 Turn It Around
5 Oska T
6 Exchange


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Matana Roberts (pronounced Mah-tah-Na) is a dynamic saxophonist, composer and improviser, whose music exposes the mystical roots and spiritual traditions of African American creative expression.
The Chicago Project features her UK band, pianist Robert Mitchell, bassist Tom Mason and drummer Chris Vatalaro. Recorded live at the Vortex Jazz Club in early 2009 by BBC Radio 3, Ms Roberts takes you on an autobiographical tale of her music heritage, peers and future. In front of a sold out crowd, on no rehearsal, and with recording equipment filling the last available space of the room, Roberts required the band to deliver on knife-edge tension and inspiration. And as Live In London proves they delivered in droves pooling from their wealth of soul and experience.

Press acclaim for Matana Roberts and The Chicago Project:
“Could this be the woman to sell good, old-fashioned American avant-jazz to the masses? The first essential release of the year.” – The London Times 4/5
“This soulful, wordless homage to the Windy City showcases her fiery yet fluid tone” - MOJO 4/5
“The talent-in-waiting should wait no longer with this very impressive debut” – Echoes 4/5
“The Windy City's twin traditions of free jazz and post-rock are celebrated in this stunning debut” – The Independent
"Ms. Roberts isn't just mildly curious to expand her medium: She seems driven to do it." - New York Times
"Not to be missed, The Chicago Project is an early contender for one of the best records of 2008." - All About Jazz
"Roberts is a fluid, elegant player who rejects the star soloist approach of many a saxophonist." - BBC Jazz
"With dreadlocks piled high, and accompanied by a three-piece outfit that included a fabulous jazz drummer who occasionally appeared to be having a fit, Roberts flitted between manic bursts of improvised music and serenely beautifu
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