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MULTICAST DYNAMICS
SCAPE

ambient
Denovali, 2015

Czas trwania: 41:53

Średnia ocena klientów: -    oceń

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CD : 67,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: DEN230
format : CD
liczba nośników : 1
Opakowanie : digipack


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Thick matte digipak covers w/ a special 3D print and a 12 page booklet.

THE EYE OF TIME is the Solo-Project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Euvrie was involved in several bands before he began to translate his personal reflection of our complex world into music, which initiated THE EYE OF TIME. His extensive self titled debut has been released in spring 2012 and exposed a dark look on the present, past and future: revealing an unnatural direction of the human being's existence, embodied by pregnant textures ranging from cinematic melodies, classic acoustic sounds to disfigured drones, noise, electronic manipulation, loops and samples. When putting out the second full length “Acoustic” in June 2014 one might have been surprised by the consequent change of focus. Looking for the motor, the personal needs to survive, he found himself experimenting with only Cello and Piano. Marc Euvrie’s alert critical mind has made him one of the most astute observers of today’s society. March 2015 marks the release of The Eye of Time forthcoming album “ANTI”. Four letters taking us to the most extreme and darkest recesses, influenced by the likes of Third Eye Foundation, Portishead, Neurosis, DJ Shadow, Björk, Sigur Ros, Edvard Grieg, Sergei Rachmaninov or Godspeed You! Black Emperor.

"ANTI" is darker than anything Marc Euvrie has created so far. The process of writing and recording took him 3 years. Right from the beginning the album was meant to be the dark side of "Acoustic", trying to sincerely translate a realistic point of view of our time into music: Industrial, despair, horrific. Where “Acoustic” was promising a glimpse o
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