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Mat Maneri
Evan Parker
Lucian Ban
Sounding Tears

jazz/yass/impro
Clean Feed, 2017

Średnia ocena klientów: -    oceń

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CD : 73,90 zł
W magazynie: na stanie
Nr kat.: CF425CD
EAN: 5609063004250
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack


nr tytuł play mp3
1 Blue Light 1:50
2 Da Da Da 7:19
3 The Rule Of Twelves 3:46
4 Blessed 7:43
5 This! 5:13
6 Sounding 3:27
7 Polaris 3:03
8 Scilence 8:22
9 Paralex 7:12
10 Hymn 3:53


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muzycy:
Mat Maneri: viola
Evan Parker: soprano and tenor saxofones
Lucian Ban: piano

Editor's info:
Over the course of a quarter century career American violist Mat Maneri has “changed the way the jazz world listens to the violin and viola” (AllAboutJazz.com) and has established an international reputation as one of the most original and compelling artists of his generation. Maneri posses an immediately recognizable sound and approach which marries the distinct worlds of jazz and microtonal music in a fluid, remarkably expressive fashion which The Wire dubbed “endlessly fascinating.” Over the course of his career, Maneri has worked with 20th century icons of improvised music including his father Joe Maneri, Cecil Taylor, Tim Berne, William Parker, Craig Taborn and many others.
For Sounding Tears, his first release under his own name (not as co-leader or collaborator) in 12 years, Maneri has enlisted legendary British saxophonist Evan Parker, one of European avant-garde’s leading voices for the past four decades, alongside his long-standing collaborator, Romanian expat, pianist Lucian Ban.
The improvisations conjured by these improvisers bespeak a music of the new millennium – tender and lyrical while also angular, gritty and suspenseful. Reflecting on Sounding Tears Maneri says: “Music begins before music. As an improviser the first note I play sets in motion the whole world. As a trio, where does musical intimacy come from? Is it improvisation, is it chamber music? Is it jazz? The music on this album, the experience, empathy and the shared history that Evan and Lucian bring to Sounding Tears, is our answer to those questions.”
Maneri and Ban have been working together for close to a decade spanning a number of different projects. They met while working on Ban and bassist John Hebert’s Enesco Re-Imagined (Sunnyside, 2009). On one piece played a memorable duo, so remarkable that they didn’t hesitate to begin touring as a duo. This touring relationship ultimately r
.......
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