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Samba Toure
Wande

folk/etno
Glitterbeat, 2018

Czas trwania: 43:44

Średnia ocena klientów: -    oceń

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CD : 56,90 zł
W magazynie: BRAK
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Nr kat.: GBCD059
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 86,90 zł
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Nr kat.: GBLP059
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format : 12"LP
gramatura : 180 gram
kolor : czarny
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nr tytuł play mp3
1 Yo Pouhala / Blah Blah Blah 5:10
2 Hawah 5:00
3 Yerfara / We Are Tired 4:45
4 Goy Boyro / The Good Work (Well Done) 4:51
5 Wande / The Beloved 5:39
6 Irganda / It Is Our Land 4:31
7 Mana Yero Koy / Where To Go? 4:26
8 Hayame / Be Careful! 4:50
9 Tribute to Zoumana Tereta 4:30


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https://youtu.be/Uplc_BoCqRY

Sometimes the unexpected happens and it becomes a gift. Serendipity, good fortune. Think of it as life handing you what you need, not what you thought you wanted. When Malian singer and guitarist Samba Touré was planning Wande (The Beloved), his third Glitterbeat release, he had strong ideas for the way it should sound. But once the sessions were over, he knew he had something entirely different, something even more satisfying: a collection of songs where warmth filled the grooves of every song. An album that seemed like home.

“We had a totally different album in mind,” Touré admits, “a return to something more traditional, almost acoustic. I think this album is less dark than the previous ones. It has some sad and serious songs, but it sounds more peaceful. All the first takes have been kept, I didn’t re-record any guitar lines, the first takes are the one you can hear on the album. There are less overdubs than in previous albums, we didn’t try to polish or make anything perfect, it gives a more natural feeling.”

That spark of spontaneity fires across the whole disc. It was recorded quickly, in “about 2 weeks, only in the afternoons and with breaks on week end to play in weddings, so it was very relaxed! One of the main difficulties we have in Mali is to reunite everyone at same moment. Every young musician plays in at least three bands or have a side job, only a few musicians in Mali can live from music, and have to work, so they are always busy. For the most part, I recorded the guitars first, then came percussion and bass. But on “Hawah,” a song I played before, I was totally unable to play the guitar without singing it so I just decided to record guitar and vocal together.”

The sense of change, of something different and fresh pervades every note of music. Wande is just as direct and powerful as Touré’s previous work, but everything moves with a bright
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