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Joelle Leandre
Strings Garden [3CD]

jazz/yass/impro
Fundacja Słuchaj!, 2018

Czas trwania: 49:37, 45:26, 46:09

Średnia ocena klientów: -    oceń

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CD : 153,90 zł
W magazynie: na stanie
Nr kat.: FSR102018
EAN: 5905279364332
format : CD
liczba nośników : 3
Opakowanie : kartonowy ecopack
Waga: 0.2 kg


nr tytuł play mp3
  CD1: Joëlle Léandre / Bernard Santacruz – Trees
1 Tree No.1 11.56
2 Tree No. 2 7.21
3 Tree No. 3 7.22
4 Tree No. 4 5.38
5 Tree No. 5 8.35
6 Tree No. 6 8.44
CD2: Joëlle Léandre / Gaspar Claus - Leaves
1 Leaf no. 1 8.51
2 Leaf no. 2 7.07
3 Leaf no. 3 5.01
4 Leaf no. 4 6.17
5 Leaf no. 5 3.10
6 Leaf no. 6 7.04
7 Leaf no. 7 7.53
CD3: Joëlle Léandre / Theo Ceccaldi - Flowers
1 Flower no. 1 4.34
2 Flower no. 2 4.41
3 Flower no. 3 3.20
4 Flower no. 4 5.36
5 Flower no. 5 5.39
6 Flower no. 6 5.23
7 Flower no. 7 3.26
8 Flower no. 8 6.22
9 Flower no. 9 7.04


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Joëlle Léandre & Barnard Santacruz, Gaspar Claus, Theo Ceccaldi
Strings Garden

Design: Małgorzata Lipińska
Executive Producer: Maciej Karłowski

All rights reserved FSR 10/2018

muzycy:
CD1 [Trees] - Joëlle Léandre: double bass & Bernard Santacruz: double bass
CD2 [Leaves] - Joëlle Léandre: double bass & Gaspar Claus: cello
CD3 [Flowers] - Joëlle Léandre: double bass & Théo Ceccaldi: violin, viola

Liner Notes
Nature can be an inexhaustible topic for artists who derive inspiration from its elegance, devastation and connotations. Here, world-class French bassist/composer/improviser Joëlle Léandre and like-minded, futuristic countrymen, Bernard Santacruz (bass), Gaspar Claus (cello) and Theo Ceccaldi (violin, viola) seed growth, flourishment and a surfeit of aspects, pertaining to trees, leaves and flowers. With these duets occurring on a per-CD basis, you’ll be treated to concepts and musings that inhabit the lower-register musical space, gushing with meticulous phrasings, stunning arco techniques and playful exchanges, but not a syrupy ode to the creative forces of nature. Therefore, if you’re expecting a simile to Frank Sinatra’s version of “April Showers,” or Tchaikovsky’s “Waltz of the Flowers,” you’ve entered an erroneous musical space that is the antithesis to light-hearted fare, frequently coated with hummable content.
Even though Ms. Leandre often chants and dishes out emphatic wordless vocals in the backdrop, it’s more about seizing the moment, that often denotes the apex of masterful performances where—in these duets—the artists’ vast expressionism is the prevailing ingredient. However, these achievements occur within dialogues that spawn a panorama of rapidly paced psychodramas, analogous to nature’s interminable growth cycles, thriving organisms, and the prismatic characteristics of a garden. Yet the beauty of it relates to the continual reimaginations the audience will experience upon subsequent listens.
The “Strings Garden” equates to an endless curve of discovery that tantalize our perceptions, and how we interpret and handle what our senses dictate, or how the musicians’ reactions transpose into the ever-present improvisational climate. These sensations present illuminating factors in various shapes and outlooks. It’s
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