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Nick Fraser
Kris Davis
Tony Malaby
Zoning

jazz/yass/impro
Astral Spirits, 2020

Średnia ocena klientów: -    oceń

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CD : 68,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: AS112
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Zoning
2 Events
3 Wells Tower
4 Sketch 46
5 Charismatics
6 Coda


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https://youtu.be/DSK7HvmdS9I

muzycy:
NICK FRASER: drums
TONY MALABY - saxophones
KRIS DAVIS - piano

INGRID LAUBROCK - tenor saxophone (tracks 1, 3, & 4 only)
LINA ALLEMANO - trumpet (tracks 1, 3, & 4 only)

Editor's info:
Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

DownBeat:
Drummer Nick Fraser is a longtime staple of the Toronto jazz scene—and for good reason. Not only is he a tremendously creative player, equally at home with free-form improvisation and standard bop-style jazz, he’s also a remarkably attentive listener. It’s that latter quality, his ability to grasp and support what other improvisors are doing, that sets the tone for Zoning, the second album by his trio with pianist Kris Davis and saxophonist Tony Malaby.

Actually, “trio” is a bit of a misnomer here, as Fraser, Davis and Malaby are joined by saxophonist Ingrid Laubrock and trumpeter Lina Allemano on half the album. The very first thing we hear on the title track is a squeaky, percussive figure played by Laubrock that quickly establishes both a pulse and a dynamic, as she and Malaby duet conversationally. A little more than a minute in, Allemano enters, growling. She offers an angular legato line that contrasts nicely against the short, near-staccato note clusters of the saxophones, and Fraser enters not long after, his snare and tambourine so understated that it takes a moment to register what they are.


After Davis comes in, the horns fade, and she and Fraser perform a clattering duet that will remind some listeners of pianist Cecil Taylor and drummer Andrew Cyrille. Then the horns return, taking the tune to its peak by working off a phrase that’s repeated at differing tempos, like a pot brought to a boil and then cooled. It’s an amazing fusion of composition structure and improv
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