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Luke Stewart
Exposure Quintet

jazz/yass/impro
Astral Spirits, 2021

Średnia ocena klientów: -    oceń

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winyl : 176,90 zł
W magazynie: na stanie
Nr kat.: AS142LP
format : 2x12"LP
kolor : czarny
liczba nośników : 2
opakowanie : singlefold
Waga: 0.5 kg


nr tytuł play mp3
  Side A
1 Awakening The Masters 10:40
2 Brown And Gray 11:05
Side B
1 Haarp And Concrete Silhouette Pt I 18:08
Side C
1 Haarp And Concrete Silhouette Pt II 15:19
Side D
1 The Scene 23:23


  powiadom mnie kiedy pojawią się sample
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https://youtu.be/XB97yf55uj0

muzycy:
Luke Stewart: bass, compositions
Edward Wilkerson Jr.: reeds
Ken Vandermark: reeds
Jim Baker: piano
Avreeayl Ra: drums

Liner notes from Luke Stewart:
"Back in 2018, I was invited by Dave Rempis to participate in the Exposure Series at Elastic Arts in Chicago. The Series was for me a shining example of artist-lead organizing of different yet connected communities around the Music. From my standpoint, it is yet another in the continuum of such actions, specifically in Chicago, and has been a major inspiration for my work as an artist and for the material on this recording.

The ensemble was assembled by Mr. Rempis, and was the first time the group had ever played together. The experience was immensely moving and was a major event in my own musical development, having the chance to lead a collective ensemble of true pillars in Creative Music.

Later that year, I was invited back to Chicago by Ken Vandermark for the Option Series at Experimental Sound Studio. It was then when I was able to schedule a recording and subsequent concert with the group, revisiting the material conceived by the ensemble earlier that year. As for the actual composition, I wanted to showcase the collectivism of the sounds produced in that first meeting. With that in mind I listened back to the first recording and transcribed different movements, motifs, and themes, plus added a few original composition ideas. We then recorded these collective compositions, first in a private recording session, second in front of an audience at Elastic Arts, where the Quintet first met.

What is presented here on this double album is a collection of both sessions. I want to convey again the collectivity of the Quintet. The concept of being a (C)omposer is a result of centuries of musical hierarchy, regarded and celebrated as the ultimate form of a musical artist. The example set out by the journeys of many in Improvised Music, including the gentlemen on this recording, allows for exploration of "composition" in true collective non-hierarchical form. There are no single series of n
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