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Various
WaJazz: Japanese Jazz Spectacle Vol. I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984

jazz/yass/impro
180g, 2022

Średnia ocena klientów: -    oceń

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winyl : 269,90 zł
W magazynie: na stanie
Nr kat.: 180GHMVLP01
EAN: 5050580773059
format : 2x12"LP
gramatura : 180 gram
kolor : czarny
liczba nośników : 2
opakowanie : gatefold
Waga: 0.6 kg


nr tytuł play mp3
1 Tadaaki Misago & Tokyo Cuban Boys - Sakura Sakura
2 Minoru Muraoka with New Jazz Players - Muraiki
3 Count Buffalo & The Jazz Rock Band - Mago-Uta
4 Kiyoshi Sugimoto Quartet - D-51
5 Toshiyuki Miyama & The New Herd - Adult's Day
6 Soul Media - Breeze
7 George Otsuka - Sea View
8 Hozan Yamamoto, Masahiko Togashi & Yosuke Yamashita - Breath Prologue
9 Jiro Inagaki & Soul Media - Do It!
10 Hiroshi Suzuki - Romance
11 Masahiko Sato - Tochi Mo Kurumi Mo Fukiotose
12 Masahiko Togashi - Fourth Expression
13 Takeshi Inomata & Sound Ltd. - Mustache (Live)
14 Takeo Moriyama - Watarase


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https://youtu.be/_phuAyozs2A
https://youtu.be/ptNDTCv6vLs

● Essential 14 track collection of "WaJazz" music selected and compiled by renowned Japanese jazz expert Yusuke Ogawa, owner of the Universounds record store in Tokyo.

● Gatefold 180g heavy double vinyl LP. Comes with extensive track-by-track liner notes by Yusuke Ogawa.

● All tracks licensed by Nippon Columbia, Tokyo, Japan.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

---

Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!

"Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also theShōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has been a growing trend to move away from the DJ-focused perspective and to appreciate jazz with a deeper understanding. Nowadays, there is more and more interest in the background and roots in which jazz has developed in Japan, with Japanese jazz as a whole now considered as its own distinctive genre.

Of course, even if we speak about "WaJazz" as one genre, there is a truly wide variety of styles within it. However, when Japanese musicians play, there is something uniquely Japanese flowing through that creates a k
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