https://youtube.com/playlist?list=OLAK5uy_liOoSJ3MmT9mM0AUn_Cz3lba9_4dBOopc&si=EZUK303yJGADUItQ

7-string guitar: Fabiano do Nascimento
Soprano saxophone: Sam Gendel
Engineering: Tomas Jacobi
Mixing/mastering: Jason Hiller

This is The Room, an album of instrumentals by Brazilian guitarist Fabiano do Nascimento and American saxophonist Sam Gendel. Ten tracks, each rendered remarkable by originality, mastery and singular beauty, by technical precision, shared creative vision and the players’ empathetic, even telepathic, coming together.

The Room is there, then, at the intersection of Nascimento’s atmospheric seven-string guitar playing and the flute-like harmonics of Gendel’s soprano saxophone. It’s a space magicked by serendipity, talent, belief: “In 2011 I was in a Latin jazz group called Triorganico,” says do Nascimento, who was born into musical family in Rio de Janiero, attending the Conservatório de Música Brasileiro before relocating to LA. “We had a gig at a restaurant owned by Sam’s cousin, who invited him along. Sam brought his sax and sat in.”

Do Nascimento had begun developing his own language on guitar aged 10 under the eye of his late uncle, Sao Paolo-based bassist/composer Lucio Nascimento. The largely self-taught Gendel picked up his chosen instrument at around the same age, going on to explore the oeuvres of horn players John Coltrane and Rahsaan Roland Kirk, and the lesser explored folk music of South America.

Both had travelled extensively throughout Brazil and Colombia, were into environmentalism and ecology. Both were super fans of Hermeto Pascoal, the iconic experimentalist from Northeast Brazil, and had grown up with relatives who had the 1964 albums Baden Powell A Vontade by guitarist Baden Powell, and Getz/Gilberto by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, on repeat.

This was before Gendel would go on to work with artists including Sam Amidon and Moses Sumney, tour with Ry and Joachim Cooder, or release a string of albums praised, among many things, for their genre-jumping audacity. Before do Nascimento’s col.......
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