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David Janeway
Interchange

jazz/yass/impro
Steeplechase, 2024

Średnia ocena klientów: -    oceń

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CD : 78,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: SCCD33150
EAN: 0716043315024
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 INTERCHANGE
2 WHO CARES
3 YOU'RE MY EVERYTHING
4 INVITATION
5 THE SCENE IS CLEAN
6 RETURN
7 YOURS IS MY HEART ALONE
8 LAST EMBRACE
9 VERY EARL


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https://youtube.com/playlist?list=OLAK5uy_mpg3Jr8J4OF6O8msxE9YO5-9aHpixSq5w&si=JA9GToJ415mZKwSq

muzycy:
David Janeway: piano
Harvie S: bass
Steve Johns: drums
Pete Yellin: alto saxophone on track 4

Editorial Reviews
The leader of this album pianist/composer/psychiatrist David Janeway has been playing an active role on the New York jazz scene for the past four decades leading a handful of different ensembles. This album made available after 30 years from the recording testifies David's timeless and compelling ability of music making.

NYC Jazz Record
"This previously unissued studio date (from 1993) finds him in top form, and features the forceful rhythm section of Harvie S (bass) and Steve Johns (drums). The strong opener is the Janeway-composed title track, a driving post-bop vehicle with a bit of Afro-Cuban rhythm worked into the mix. The pianist’s inventive approach to standards and jazz classics is also noteworthy …. It is a shame that this session remained hidden from the jazz audience for three decades, as it reveals Janeway as a creative force, even back in his early thirties"
by Ken Dryden

All About Jazz
"His sound-in his teaming with bassist Harvie S and drummer Steve Johns-has a brightness and buoyancy. The title tune, another original, sparkles with an energetic trio dynamic, and the Gershwin brothers “Who Cares” has a lighthearted vibe"
by Dan McClenaghan

Cadence
"A skilled composer and pianist capable of creating music that is imaginative, sensitive and often exciting"
by David Franklin

All Music Guide
"The best jazz recordings are timeless and sound as viable and exciting decades after they were created as they did when they were brand new. Certainly Interchange, a previously unreleased set by pianist David Janeway from 1993, could pass for a newly recorded project. No one would ever guess that its performances are over 30 years old. Throughout the album, two things are obvious. Even at that comparatively early stage, Janeway had his own personal sound within the modern mainstream of jazz. He was also quite ve
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