https://youtube.com/playlist?list=OLAK5uy_noiDyf_sTF4KXwlOW2zDewSMxxpQG15L0

muzycy:
Pedro Branco: piano
João Sousa: drums
João Hasselberg: doublebass
Hernâni Faustino: doublebass
Tony Malaby: tenor saxophone

Editor's Info:
Abiding friends and serial collaborators Pedro Branco and João Sousa scale an enchanting set of melodic, nostalgia-fuelled summits on Another State of Rhythm, their third long-player issued under the Old Mountain sobriquet.
After initially establishing themselves with an exhaustive run of enduring associations on Lisbon’s vibrant jazz scene, Branco and Sousa headed to the Netherlands in 2014 to further pursue their musical studies. It was here they formed Old Mountain, as a test bed for workshopping various modes of venturesome expression and compositional techniques, inviting an ever-alternating cast into their fold, observing practices of continual collaboration as the bountiful catalyst for creativity and invention.
The inaugural fruits of these alliances arrived in 2020, with Old Mountain dropping a brace of delightful digital-only releases; Parallels, a wistful hook-up with fellow countryman and trumpeter Gonçalo Marques, and the comparatively ardent, sporadically burly, This Is Not Our Music, alongside Nicolò Ricci, Mauro Cottone and George Dumitriu.
Old Mountain’s third full-length, Another State of Rhythm, sees Branco and Sousa shuffling the pack and shaking down the stimuli again. Inspired by his ivory-juggling heroes, Misha Mengelberg and Masabumi Kikuchi, Branco forgoes his trusty guitar for piano, abandoning himself entirely to the instinctive and unpredictable, his tumbling frisks enticing bouts of nerve-jangling peril amid the adroit lyricism of his colleagues. Elsewhere, Old Mountain pay homage to another formative influence with their own perennial standard, ‘Ballad For Paul’. This beautifully spare tribute, dedicated to drumming don and composer Paul Motian, encapsulates the ensemble’s melancholic sensibilities, jostling a sublime sedation illumined by moonlight and fraught with otherworldly tension.
On an audacious re-reading of Lead Belly’s ‘Irene.......
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