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MUM
History Of Silence

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Morr Music, 2025

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CD : 73,90 zł
W magazynie: BRAK
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Nr kat.: MM206
EAN: 880918820620
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 138,90 zł
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Nr kat.: MM206
EAN: 880918820613
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format : 12"LP
kolor : czarny
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nr tytuł play mp3
1 Miss You Dance
2 Kill the Light
3 Mild at Heart 04:14
4 Avignon
5 Only Songbirds Have a Sweet Tooth 04:05
6 Our Love is Distorting
7 A Dry Heart Needs no Winding
8 I Like to Shake


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https://youtube.com/playlist?list=OLAK5uy_lmU896fcdL5sSm3QYZHS5BMkj3WaFx45A

múm are returning with a new album on Morr Music. »History of Silence« is the first full body of work by the Icelandic collective since 2013's »Smilewound« and their seventh studio album to date—recorded, deconstructed, put back together again, refined and finished over the course of two years. Vibrantly oscillating around a carefully curated palette of electronic and analogue sounds, the eight new tracks reflect the group's continuous strive to explore sonic spaces through subtle yet gripping songwriting.

For a long time now, múm have been exploring the idea of distance in their music. In the beginning, this was born purely out of necessity. Founded in Iceland in the late 1990s, the members soon began embarking on journeys across the world—collectively while touring, but also individually, exploring new places to live and create. Settling in, moving on, catching up: The concept of distance soon became an integral part of the collective's process. »History of Silence« leans into this idea, with space and time becoming indispensable pillars of the arrangements. While being coherent and structured, they echo their origins from different seasons, cities, and spaces—neatly stitched together with unparalleled craftsmanship. They breathe an overall airy and intimate atmosphere, yet resonate with the structural heft of time.

On »History of Silence« time manifests in unexpected, liberating, and mesmerizing ways. It does not move reliably forward; it drifts, takes twists and turns, even disappears completely. Electronic textures blur into acoustic sounds, voices flicker and dissolve, melodies stumble and repeat. The arrangements often feel like they’re wandering, gently resisting direction. »Our Love is Distorting,« for instance, begins with a subtle piano motif, playing hide and seek with feedback noises, digital artefacts, and lush—yet very quiet—string arran
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