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Musik Von Harmonia + Reworks [RSD 2024]
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Narthex
Superstitions (feat. Daniel Denis, Alain Neffe)

postrock
Sub Rosa, 2025

Średnia ocena klientów: -    oceń

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winyl : 93,90 zł
W magazynie: BRAK
Szac. dostępność:
2 tygodnie ?
Nr kat.: SRV585
EAN: 5411867335856
download code : nie
format : 12"LP
kolor : kolorowy
liczba nośników : 1
opakowanie : singlefold


nr tytuł play mp3
1 Squelettes de pierre 03:29
2 Le mal des ardents 02:29
3 Silhouette 04:54
4 Rain Song 02:49
5 Searching Souls 01:58
6 Penitence 05:34
7 The Gift 03:09
8 Nonchalance 04:13
9 Anima 03:41
10 Hic et Nunc 04:36
11 Ombres de papier 03:06
12 A rebours 03:33
13 Stone Sky 02:05


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Never released before (recorded from 1994 to 1999).
Limited edition Marbled Vinyl.
Rhythmic, Exotic, Deep & Primitive Sounds for Post Modern Ears.
featuring special guests: Anna Homler, M.A.L., Michel Berckmans...

Narthex means railed-off western portico or ante-nave in earty
Christian churches for women, penitents and catechumens.

Narthex is also a trio featuring (at the beginning) Daniel Denis (UNIVERS ZERO, ART ZOYD), Alain Neffe (PSEUDO CODE, HUMAN FLESH, BENE GESSERIT) and Nicolas de Villemarqué (NUWAGE MUSIC). They had a very different musical background (mostly electric / electronic rock) and decided to work in the field of a totally acoustic music recorded live (two microphones + portable DAT) in churches of their area. After several recording sessions, Nicolas de Villemarqué decides to leave the group. ln order to complete the trio, Daniel Denis and Alain Neffe ask the participation of some of their friends. Anna Homler (THE SUGAR CONNECTION, CRO-MAGNON), Michel Berckmans (UNIVERS ZERO, JULVERNE, AKSAK MABOUL, VON ZAMLA,... ) and Daniel Malempré (M.A.L., HUMAN FLESH) have accepted the challenge and succeed to fit into their musical universe.

Instruments
Church organ, harmonium, sitar, saxophone, oboe, bassoon, zither,
valiha, senzas, tarang, voice, percussions, metal clarinet, classical guitar, jew's harp, ongolok, violin, dulcimer, mouth organ, etc ...

The Music
Often dark, sometimes repetitive or experimental, sometimes
rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical inst
.......
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