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Kptmichigan
Player, Player

electronic
Aesthetics,

total time: 39:59

aver. mark: -    mark it!

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CD:8,54€
Out of stock
availability: up to a month ?
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Solong S-20 1:51
2 Fruchhtig 3:16
3 Fon 4:38
4 Jimi 0:38
5 Derber Papa 5:18
6 Do It 0:54
7 Surf's Up 2:38
8 Knatern 3:38
9 Or Is 3:36
10 Weg 3 2:44
11 Amp! 3:31
12 Minzgrün 3:18
13 Hey Brother 4:00
14 Data Track 12:21


  let me know when samples will be available
  tell to your friend

 

"Player, Player" will certainly appeal to followers of minimal and experimental electronic labels such as Orthlong Musork, Mego, Tigerbeat6 and Mille Plateaux, but the dynamic here is far different than the usual clicks'n cuts.

Undulating at times while polarized elsewhere, Kptmichigan is unafraid to meld the abstract with the sensual to negate the sterile, always with precision and throttling volume. Player, Player' is a multifaceted yet simply motivated record that forms an entirety from its many viewpoints of electronic and analog composition.

The music is futuristic, but it comes from a strong punk ethos, using elements of dub and monochromatic techno to frame fragments of melody and noise and continually build by contrast, layering vertically with volumes that aren't always sensical. Beckett is foremost a guitarist, and much of the album's texture is constructed from muted and distorted guitar, seeking to mimic the warmth and 'natural' noise of the amplifier.

"Player, Player" will certainly appeal to followers of minimal and experimental electronic labels such as Orthlong Musork, Mego, Tigerbeat6 and Mille Plateaux, but the dynamic here is far different than the usual clicks'n cuts.

Undulating at times while polarized elsewhere, Kptmichigan is unafraid to meld the abstract with the sensual to negate the sterile, always with precision and throttling volume. Player, Player' is a multifaceted yet simply motivated record that forms an entirety from its many viewpoints of electronic and analog composition.

The music is futuristic, but it comes from a strong punk ethos, using elements of dub and monochromatic techno to frame fragments of melody and noise and continually build by contrast, layering vertically with volumes that aren't always sensical. Beckett is foremost a guitarist, and much of the album's texture is constructed from muted and distorted guitar, seeking to mimic the warmth and 'natural' noise of the amplifier.

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