John Abercrombie guitar
Mark Feldman violin
Thomas Morgan double-bass
Joey Baron drums

Guitarist Abercrombie’s alliance with violinist Mark Feldman has proven to be an enduringly creative musical association: they have been playing and recording together for more than a decade now, starting with the “Open Land” sextet of 1998, and following with the quartet albums “Cat’n’Mouse”, “Class Trio “ and “The Third Quartet”. With “Wait Till You See Her” (named for the old Rogers & Hart show tune that Abercrombie plays so tenderly), the line-up of the quartet is adjusted to admit the excellent young bassist Thomas Morgan, whose adroit playing reveals a LaFaro-esque invention. As ever, the core team of Abercrombie, Feldman, and drummer Joey Baron play subtle, elegant and profound jazz.

Guitarist Abercrombie’s alliance with violinist Mark Feldman has proven to be an enduringly creative musical association: they have been playing and recording together for more than a decade now, starting with the “Open Land” sextet of 1998, and following with the quartet albums “Cat’n’Mouse”, “Class Trio “ and “The Third Quartet”. With “Wait Till You See Her” (named for the old Rogers & Hart show tune that Abercrombie plays so tenderly), the line-up of the quartet is adjusted to admit the excellent young bassist Thomas Morgan, whose adroit playing reveals a LaFaro-esque invention. As ever, the core team of Abercrombie, Feldman, and drummer Joey Baron play subtle, elegant and profound jazz.