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Sixteen Tracks, 71 minutes and 46 seconds. Limited edition soundtrack from the film h2odio, by Harvestman. Harvestman is the psych-guitar project of Nerosis' Steve Von Till. Wrapped in a deluxe cardboard package with only 350 available for Europe.

Trinity is a limited edition issue of the soundtrack to the Italian horror film h2odio (English title Hate 2 O). Under the moniker of his pysch-guitar based project Harvestman, Steve Von Till of Neurosis creates an equally lush and beautiful, yet dark and disturbing backdrop to this psychological thriller. Juxtaposing the beautiful remote island landscape with the tormented psyche and tension of the plot, this soundtrack creates its own epic imagery in the mind of the listener.

In 2005, critically acclaimed Italian director Alex Infascelli (Almost Blue) was handed a Harvestman album while beginning his edit of his new film. Captivated by the pace, variety, rich soundscapes, and hypnotic nature, he contacted Steve Von Till to ask if he would be willing to score the film on short notice. Having just relocated to North Idaho and about to complete his home studio, the timing was perfect. Within weeks the entire score was finished and Infascelli flew from Italy to Steve's home to go over the material.

The sounds vary from lush, hopeful, and beautiful guitar based landscapes to sinister visions of psychic turmoil.

Sixteen Tracks, 71 minutes and 46 seconds. Limited edition soundtrack from the film h2odio, by Harvestman. Harvestman is the psych-guitar project of Nerosis' Steve Von Till. Wrapped in a deluxe cardboard package with only 350 available for Europe.

Trinity is a limited edition issue of the soundtrack to the Italian horror film h2odio (English title Hate 2 O). Under the moniker of his pysch-guitar based project Harvestman, Steve Von Till of Neurosis creates an equally lush and beautiful, yet dark and disturbing backdrop to this psychological thriller. Juxtaposing the beautiful remote island landscape with the tormented psyche and tension of the plot, this soundtrack creates its own epic imagery in the mind of the listener.

In 2005, critically acclaimed Italian director Alex Infascelli (Almost Blue) was handed a Harvestman album while beginning his edit of his new film. Captivated by the pace, variety, rich soundscapes, and hypnotic nature, he contacted Steve Von Till to ask if he would be willing to score the film on short notice. Having just relocated to North Idaho and about to complete his home studio, the timing was perfect. Within weeks the entire score was finished and Infascelli flew from Italy to Steve's home to go over the material.

The sounds vary from lush, hopeful, and beautiful guitar based landscapes to sinister visions of psychic turmoil.