www.myspace.com/saroos

"Upon everything was a haze of restlessness and oppression; a touch of the unreal and the grotesque, as if some vital element of perspective or chiaroscuro were awry.”

- te słowa legendy literackiego science-fiction, H.P. Lovercrafta dobrze pasują do muzyki Saroos, która jest połączeniem elektroniki, post-rocka, dubu, trip-hopu, z domieszką połamańców i snującym się od czasu do czasu w tle damskim głosem (?).
Tytuł albumu pozwala przypuszczać, iż jest to puszczenie oka i nawiązanie do albumu Rhythm & Sound "See Me Ya".

The second album from German trio, Saroos. On the Odd Nosdam-produced See Me Not, members Florian Zimmer (Iso68,Jersey), Christoph Brandner (Lali Puna, Console) and Max Punktezahl (the Notwist, Contriva) achieve a rare synchronicity that lends their poly-genre instrumental compositions an uncanny air, like something beamed in from a different dimension. Equal parts Krautrock, musiqueconcrete, post-rock and No Wave, the album is both timeless and rooted in history, noisy and bound to a groove, completely foreign and, yet, surprisingly familiar.
On the opener, “Lobster Claw,” a lazy,hypnotic rhythm gets devoured by five kinds of skronk. The full-bodied “Daylight Chant” brings to mind the sort of experiments pioneered by Tortoise and heard in contemporaries like Jaga Jazzist, until the midway point, where what sounds like a reversed Mariachi sample and a clanging hip-hop beat rule the day. “Fog People” likewise blurs the lines between what’s recorded live and what’s of electronic origin, dipping into extremely dark dub on its way toward absolution. Throughout “See Me Not”, melodies and sounds shift shapes, stall, explode, collide or get trapped in loops. Some wobble through tracks, demolished particles. Others vanish, all in the name of constant flux.
The low end on “Scott” is particularly suggestive ofNosdam’s presence .......
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Drugi album smakowitego projektu Floriana Zimmera (Iso68, Jersey), Christopha Brandnera (Lali Puna, Console) and Maxa Punktezahla (the Notwist, Contriva).

"Upon everything was a haze of restlessness and oppression; a touch of the unreal and the grotesque, as if some vital element of perspective or chiaroscuro were awry.”

- te słowa legendy literackiego science-fiction, H.P. Lovercrafta dobrze pasują do muzyki Saroos, która jest połączeniem elektroniki, post-rocka, dubu, trip-hopu, z domieszką połamańców i snującym się od czasu do czasu w tle damskim głosem (?).
Tytuł albumu pozwala przypuszczać, iż jest to puszczenie oka i nawiązanie do albumu Rhythm & Sound "See Me Ya".

The second album from German trio, Saroos. On the Odd Nosdam-produced See Me Not, members Florian Zimmer (Iso68,Jersey), Christoph Brandner (Lali Puna, Console) and Max Punktezahl (the Notwist, Contriva) achieve a rare synchronicity that lends their poly-genre instrumental compositions an uncanny air, like something beamed in from a different dimension. Equal parts Krautrock, musiqueconcrete, post-rock and No Wave, the album is both timeless and rooted in history, noisy and bound to a groove, completely foreign and, yet, surprisingly familiar.
On the opener, “Lobster Claw,” a lazy,hypnotic rhythm gets devoured by five kinds of skronk. The full-bodied “Daylight Chant” brings to mind the sort of experiments pioneered by Tortoise and heard in contemporaries like Jaga Jazzist, until the midway point, where what sounds like a reversed Mariachi sample and a clanging hip-hop beat rule the day. “Fog People” likewise blurs the lines between what’s recorded live and what’s of electronic origin, dipping into extremely dark dub on its way toward absolution. Throughout “See Me Not”, melodies and sounds shift shapes, stall, explode, collide or get trapped in loops. Some wobble through trac.......
more