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Ten tracks, 47 minutes. This is the second album from psych-folk singer, Troy Mighty under his Dead Western moniker. Joint release between Exile on Mainstream and German label Discorporate Records.

Dead Western is Troy Mighty, from the Psych-Folk happening of the US West Coast.

Suckle At The Supple Teats Of Time reaches out with the familiarity of the dark and saddened guitar-based Folk. Troy's voice carries the deepest and most dazing timbre you can imagine - his unique sound is the instrument that makes Dead Western special. He sings and shivers, soothes like a lullaby.

This is the second full-length album of the wandering troubadour from Sacramento. The carrying instrument in Dead Western is the acoustic guitar around which playful sounds like violin (played by Extra Life’s Caley Monahon-Ward), bass (Jesse Phillips), percussion (Kevin Corcoran), chord organ, kazoo and a singing saw feature comfortably on the record. These and other instruments played by Troy build a family and its members tell each song's story in their own way.

Dead Western is a subtle child, but one with the backbone of an old man. It is intuition, feel and nature that sings the songs of Troy. Dark and creepy, but longing for a brighter world, for love and space.

Ten tracks, 47 minutes. This is the second album from psych-folk singer, Troy Mighty under his Dead Western moniker. Joint release between Exile on Mainstream and German label Discorporate Records.

Dead Western is Troy Mighty, from the Psych-Folk happening of the US West Coast.

Suckle At The Supple Teats Of Time reaches out with the familiarity of the dark and saddened guitar-based Folk. Troy's voice carries the deepest and most dazing timbre you can imagine - his unique sound is the instrument that makes Dead Western special. He sings and shivers, soothes like a lullaby.

This is the second full-length album of the wandering troubadour from Sacramento. The carrying instrument in Dead Western is the acoustic guitar around which playful sounds like violin (played by Extra Life’s Caley Monahon-Ward), bass (Jesse Phillips), percussion (Kevin Corcoran), chord organ, kazoo and a singing saw feature comfortably on the record. These and other instruments played by Troy build a family and its members tell each song's story in their own way.

Dead Western is a subtle child, but one with the backbone of an old man. It is intuition, feel and nature that sings the songs of Troy. Dark and creepy, but longing for a brighter world, for love and space.