All tracks written and recorded by Gordon Sharp and Matt Kinnison between 2006–2011 at Roi Vert, Okamoto (Japan), 13th Floor and Space Eko (London), Southend (Essex)

Mastered at Piethopraxis, June 2011
Cut by Rashad Becker at Dubplates & Mastering, Berlin, June 2011

Design/images: David Coppenhall
Assembled at Sixism (Maggi Smith/David Coppenhall)

For Matt Kinnison and John Berger

Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated.
Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments.
And what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks and are no longer clearly defined. It harks back to the odder parts of In This World and The Wind Is Strong albums from the early 1990s.

All tracks written and recorded by Gordon Sharp and Matt Kinnison between 2006–2011 at Roi Vert, Okamoto (Japan), 13th Floor and Space Eko (London), Southend (Essex)

Mastered at Piethopraxis, June 2011
Cut by Rashad Becker at Dubplates & Mastering, Berlin, June 2011

Design/images: David Coppenhall
Assembled at Sixism (Maggi Smith/David Coppenhall)

For Matt Kinnison and John Berger

Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated.
Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments.
And what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks and are no longer clearly defined. It harks back to the odder parts of In This World and The Wind Is Strong albums from the early 1990s.