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Pan American
Komet
Fisherofgold
Personal Settings 1

ambient/ electronic
Quatermass, 2001

total time: 47:59

aver. mark: -    mark it!

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Sub Rosa - przecena


CD:7,18€
in stock
cat. no: QS127
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 PAN AMERICAN - Train Station
2 PAN AMERICAN - The Passage
3 KOMET - Stab
4 KOMET - Eist
5 KOMET - Pass
6 FISHEROFGOLD - Lapis Lazuli


  let me know when samples will be available
  tell to your friend

 

This series is based on a simple principle: subjectivity. An artist, even if linked to a label, a movement or some other implicit connection,is at first an individual facing the challenge to establish a communication process through his 'tools' (the focus is put on electronic expression). When exposed to the media, the electronician often becomes an abstract and anonymous vector of sounds subjectivity. In this selection of the work provided, the musicians had a total creative freedom in a parametric space of approximately 15 minutes (only restriction), to be divided or utilized in order to present a single piece the music can express a continuity or a rupture in the musician's production (more experimental or commercial form). The settings stand for the unique way one will use his gears to reach a personal expression to be shared with the audience. All about subjectivity and giving back the artists their own identity. On this first volume you will find new tracks from Mark Nelson, Frank Bretschneider and Joe Kingman (aka Fisherofgold). Thanks to them for their help and kindness and open-minded vision.

This series is based on a simple principle: subjectivity. When exposed to the media, the electronician often becomes an abstract and anonymous vector of sounds. subjectivity. In this selection of the work provided, the musicians had a total creative freedom in a parametric space of approximately 15 minutes to be divided or utilized in order to present a single piece.
It's all about subjectivity and giving back the artists their own identity. On this first volume you will find new tracks from MARK NELSON, FRANK BRETSCHNEIDER and JOE KINGMAN aka FISHEROFGOLD. MARK NESLON, Guitarist and vocalist from LABRADFORD started in 1998 his acclaimed side-project PAN AMERICAN. He sure knows how to make you both dream and move by roovy, jazzy, dubby aptmospheric soundscapes. FRANK BRETSCHNEIDER: His personnal definition concerning his music is economic, microsc
.......
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Nowa seria muzyki, ogólnie biorąc, elektronicznej. Zawiera niepublikowane prace znanych artystów sceny klubowej, oparte na zasadzie "osobistej wypowiedzi", a więc nieskrępowane potrzebami wytwórni płytowych, dla których ci artyści normalnie pracują. Ciekawe, nieco odmienne wypowiedzi artystyczne znanych twórców.

This series is based on a simple principle: subjectivity. An artist, even if linked to a label, a movement or some other implicit connection,is at first an individual facing the challenge to establish a communication process through his 'tools' (the focus is put on electronic expression). When exposed to the media, the electronician often becomes an abstract and anonymous vector of sounds subjectivity. In this selection of the work provided, the musicians had a total creative freedom in a parametric space of approximately 15 minutes (only restriction), to be divided or utilized in order to present a single piece the music can express a continuity or a rupture in the musician's production (more experimental or commercial form). The settings stand for the unique way one will use his gears to reach a personal expression to be shared with the audience. All about subjectivity and giving back the artists their own identity. On this first volume you will find new tracks from Mark Nelson, Frank Bretschneider and Joe Kingman (aka Fisherofgold). Thanks to them for their help and kindness and open-minded vision.

This series is based on a simple principle: subjectivity. When exposed to the media, the electronician often becomes an abstract and anonymous vector of sounds. subjectivity. In this selection of the work provided, the musicians had a total creative freedom in a parametric space of approximately 15 minutes to be divided or utilized in order to present a single piece.
It's all about subjectivity and giving back the artists their own identity. On this first volume you will find new tracks from MARK NELSON, FRANK BRETSCHNEIDER
.......
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