Against The Day - LAND OF KUSH by Constellation Records

Sam Shalabi is a musician and composer who has been creating and playing music in Montréal for the better part of 20 years. Unconstrained by genre, Sam’s musical history spans rock, jazz, free music, punk, and most things in-between. A highly truncated list of his projects includes Shalabi Effect, Detention, Molasses, and Nutsak, along with several releases under his own name courtesy Alien8Recordings and Squintfucker Press.

In the last bunch of years Shalabi has been writing and arranging sprawling compositions for large ensembles, the most recurring of which is Land Of Kush, incorporating anywhere from 20 to 30-plus Montréal players and vocalists. Kush includes string, brass, woodwinds, guitar, and percussion sections, in addition to electronics and Shalabi’s oud.

Shalabi has described earlier hybrid compositional work as “protest music about Arabophobia” (Osama, 2003) after 9/11 and an attempt at modern Arabic pop (Eid, 2008) inspired by an extended stay in Cairo in 2006. Land Of Kush combines both of these impulses, to our ears, while also rallying Sam’s long obsessions with psychedelic music (viz. Shalabi Effect) and epic literary fiction.

Inspired by and named after the Thomas Pynchon’s novel Against the Day, the music is broken into five sections, named for the book’s chapters. The three primary movements are centred around solo vocalists (Jason Grimmer, Molly Sweeney, Radwan Moumneh) who composed their own lyrics for the piece. In between vocal performances, Shalabi gives the orchestra ample opportunity to strut its stuff, including solos and long instrumental passages that display Sam’s unique balance of composition and ‘expository’ or improvisational instruction.

Against The Day is a complex, intense, but accessible hour of hybrid, genre-defying music. The marriage of middle-eastern, north African and western modes and influences yields a.......
more

Sam Shalabi is a musician and composer who has been creating and playing music in Montréal for the better part of 20 years. Unconstrained by genre, Sam’s musical history spans rock, jazz, free music, punk, and most things in-between. A highly truncated list of his projects includes Shalabi Effect, Detention, Molasses, and Nutsak, along with several releases under his own name courtesy Alien8Recordings and Squintfucker Press.

In the last bunch of years Shalabi has been writing and arranging sprawling compositions for large ensembles, the most recurring of which is Land Of Kush, incorporating anywhere from 20 to 30-plus Montréal players and vocalists. Kush includes string, brass, woodwinds, guitar, and percussion sections, in addition to electronics and Shalabi’s oud.

Shalabi has described earlier hybrid compositional work as “protest music about Arabophobia” (Osama, 2003) after 9/11 and an attempt at modern Arabic pop (Eid, 2008) inspired by an extended stay in Cairo in 2006. Land Of Kush combines both of these impulses, to our ears, while also rallying Sam’s long obsessions with psychedelic music (viz. Shalabi Effect) and epic literary fiction.

Inspired by and named after the Thomas Pynchon’s novel Against the Day, the music is broken into five sections, named for the book’s chapters. The three primary movements are centred around solo vocalists (Jason Grimmer, Molly Sweeney, Radwan Moumneh) who composed their own lyrics for the piece. In between vocal performances, Shalabi gives the orchestra ample opportunity to strut its stuff, including solos and long instrumental passages that display Sam’s unique balance of composition and ‘expository’ or improvisational instruction.

Against The Day is a complex, intense, but accessible hour of hybrid, genre-defying music. The marriage of middle-eastern, north African and western modes and influences yields a.......
more